Grand rapids mn real estate agents

Update: the laws suck, I’m stuck and back with him
OP: https://www.reddit.com/JustNoSO/comments/13dw8bo/im_leaving_tonight/?utm_source=share&utm_medium=ios_app&utm_name=ioscss&utm_content=1&utm_term=1
Background: please read past posts if you’re about to give me legal or financial advice. I’ve talked to two lawyers, a real estate agent, domestic violence centres, family specified law programs, social workers, police, everything.
I was in the process of filing a court order but he threatened to keep my dog from me if I did. I let my guard down and thought maybe he could be a decent person.
——————-
I was almost away from him for a full month. I am now living in the same house as he is but we’re “separated but trying”
He is 100% adamant that we will be together again.
I don’t have anywhere to go, I don’t have enough money to support myself and pay the mortgage as well. I don’t have enough for lawyer fees and aside from all of that.
He has emotionally drained me.
He makes these promises, he treats me well, he love bombs me and he makes me feel really good about myself. He’s picture perfect and being open with his feelings without blaming me.
He stopped drinking and doing VRChat. He argues he’s going to change, it goes on for hours. The guilt, the pain, the overwhelming feelings of comfort and closeness because of the deep and close conversations I’ve always wanted are happening.
I feel like a coward. I feel like I haven’t tried hard enough. I feel like I’m a fucking idiot.
He will not change. He made it intentionally impossible for us to separate. He only cares about himself and he was living a great stress free life at the expense of me.
I’ve been having thoughts about hurting myself. I’m having hallucinations and can’t do anything around the house.
In he swoops and is being that person I’ve needed him to be for 7 and a half years.
This is the reality of long term abusive relationships. I don’t believe he’s going to change but I have no other option.

OP: https://www.reddit.com/JustNoSO/comments/13dw8bo/im_leaving_tonight/?utm_source=share&utm_medium=ios_app&utm_name=ioscss&utm_content=1&utm_term=1
Background: please read past posts if you’re about to give me legal or financial advice. I’ve talked to two lawyers, a real estate agent, domestic violence centres, family specified law programs, social workers, police, everything.
I was in the process of filing a court order but he threatened to keep my dog from me if I did. I let my guard down and thought maybe he could be a decent person.
——————-
I was almost away from him for a full month. I am now living in the same house as he is but we’re “separated but trying”
He is 100% adamant that we will be together again.
I don’t have anywhere to go, I don’t have enough money to support myself and pay the mortgage as well. I don’t have enough for lawyer fees and aside from all of that.
He has emotionally drained me.
He makes these promises, he treats me well, he love bombs me and he makes me feel really good about myself. He’s picture perfect and being open with his feelings without blaming me.
He stopped drinking and doing VRChat. He argues he’s going to change, it goes on for hours. The guilt, the pain, the overwhelming feelings of comfort and closeness because of the deep and close conversations I’ve always wanted are happening.
I feel like a coward. I feel like I haven’t tried hard enough. I feel like I’m a fucking idiot.
He will not change. He made it intentionally impossible for us to separate. He only cares about himself and he was living a great stress free life at the expense of me.
I’ve been having thoughts about hurting myself. I’m having hallucinations and can’t do anything around the house.
In he swoops and is being that person I’ve needed him to be for 7 and a half years.
This is the reality of long term abusive relationships. I don’t believe he’s going to change but I have no other option.

I am being recruited for the position by a trusted individual. I have never been in sales and currently am in a semi-cushy office job that is stagnant. My take home is about $70,000 CAD. The work structure is low stress based on how I set it up, but is not future proof and I am getting the feeling that changing of the guard is coming.
I have never worked in sales, but have been offered the opportunity before from friends and people in my network and always been told I have whats needed for the role and that I am "easily likeable". I consider myself fairly intelligent, well spoken, and well read and do not have a particularly difficult time learning new information. I've never pursued it because the commission aspect was to daunting at the time, but over the last decade I have made intelligent financial choices, am in a good spot, and can remain afloat for 12-16 months.
I have a meeting/interview this Friday with that person that wants to bring me in. This is not to be hired, but more so to discuss. I also have recently begun the process of becoming licensed, but this is not an issue as it was known in advance.
What are things I should know? Things you wish you knew when you started? What should I expect in such a position? What is a day to day experience like? How can I maximize my success in my first year? What questions should I ask in this meeting? How has work from home changed the landscape of the industry? Anything at all is helpful.
I'm not committed to taking it, but I am at a stage in life where I feel I need to make something happen and opportunities can pass.

When I was getting started, an actor I knew gave me some really good advice. While deciding whether or not to take a certain role, consider three factors: the money, the show, and the people. If at least two of those things are good, accept the job. If they’re paying you well and you love the play, you won’t mind putting up with shitty people. If it’s a great show with a cast full of friends, but you’re not getting paid so well, that’s still alright, it’ll be artistically fulfilling. If it’s a bad show but you love the cast and you’re making money, you’ll probably have the time of your life making fun of the playwright backstage and laughing all the way to the bank.
What my friend failed to mention is that as an aspiring actor, you don’t usually get to be that picky. When I got the call from my agent that a production of The Bacchae was urgently seeking a new chorus member, all I could see were dollar signs. My survival job had just fallen through (the family I nannied for was moving upstate, insisting that Manhattan had just gotten “too dangerous” for their toddler), and my savings were only going to cover my rent for another month.
It was raining the day of my audition, and my train got delayed. I showed up panting (I had to run from the subway station) and my hair a disaster. Luckily, in The Bacchae, the chorus is full of… well… Bacchae. Fervent followers of Dionysus, wild women, drunk and running through the countryside. In the climax of the play, they crowd the protagonist in a frenzy, literally ripping him limb from limb.
I’ll never know if it was my frenetic energy from barely making it to the theater on time, or my actual acting, but I got the part. My costume fitting was the next day– they weren’t kidding about urgently needing a replacement. Which thrilled me, because I wasn’t kidding about urgently needing the money. At the fitting, I discovered something my agent failed to mention about the production: this wasn’t just any version of The Bacchae, it was a recreation– an attempt to perform the play in the traditional Greek style. In other words, everyone was wearing masks.
I’ve never been fond of masks. We had to do a few assignments with them in my college acting courses; covering your face can enhance the physicality of your body, something like that. But I never liked wearing them, or seeing other people wearing them. It wouldn’t be fair to call it a full-on fear, but the stiffness, the lack of expression, gives me a weird feeling in my stomach. And wearing one, your field of vision limited, your mouth covered, making it harder to breathe, harder to project your voice– I don’t like it. It’s as simple as that.
But I needed the money. My costume wasn’t ugly, per se, just strange: a long white dress, or maybe toga is a better word, the fabric about the thickness of a burlap sack. My mask, stark white, paper mache, covering my entire face except my eyes, the mouth carved to imitate a grin. No shoes. My hair tucked into a wild black wig– we wore wigs, they explained to me, so the chorus could be identical, indistinguishable. We moved as one, spoke as one, and were meant to look like one. They even made sure to cast women of the same height. In our costumes, it was impossible to tell which of us was which.
It didn’t help that I was an outsider to the rest of the cast, joining the show weeks into rehearsals. Everyone seemed annoyed that they had to teach me the blocking, the inflection of the lines (so my voice didn’t stick out from the other chorus girls), and where to go backstage during scenes with no chorus. A few people tried to be nice to me, but quickly gave up when they realized I knew nothing about Greek theater, or masked theater, or the avant garde. My last show had been a regional production of Cats, for God’s sake. I was totally out of my element.
Things got especially sour when I tried to ask what had happened to the girl I was replacing. Nobody wanted to talk about it. People gasped when I brought it up. The clearest answer I got was a whispered, hesitant, “she fell,” but the person wouldn’t elaborate any further. The cast seemed superstitious, uncomfortable, like talking about her would cause them to suffer her fate: removal from the show. And it was clear that, aside from me, everyone else loved this show. The actor playing Dionysus, the couple of times he deigned to talk to me, just kept gushing about how honored he was to play this role, how electrifying it felt to put his history minor to use, to show people a piece of the world’s theatrical beginnings.
I thought the show was fine. Kinda boring, kinda scary. I don’t think I “get” The Bacchae. In brief, the story is about Dionysus, son of Zeus, disguised as a human. He and his followers (the chorus) show up in a town, but the leader of the town, Pentheus, is upset about it. He doesn’t understand why all these women are acting crazy, and he arrests Dionysus, not believing him to be an actual God. As punishment, Dionysus possesses Pentheus’s own mother with the same madness as his followers, and together, with their bare hands, they rip Pentheus apart. His mom walks back into town holding her son’s head, thinking it to be, in her madness, the head of a lion. When she realizes what she’s done, she is overwhelmed by grief, and futilely attempts to put Pentheus’s mutilated corpse back together. Dionysus returns, basically saying, “well, he said I wasn’t a God, and that’s blasphemous, so he got what was coming to him.” Pentheus’s mother is exiled.
It’s incredibly dark. In the reviews, critics called it daring, challenging, a bloody spectacle, a feminist masterpiece. I don’t really get what part of “a man who’s a God possesses women’s minds, driving them to murder” screams “feminism,” but hey, I’m the girl who commuted to New Jersey every day for four months to do Cats, what do I know?
Here’s something I do know: the other chorus girls did not like me. And they took their jobs seriously. As we waited to enter for each scene, there was dead quiet in the wings. Usually, there’s some light joking, maybe quickly running lines, maybe physical warmups, shaking out your nerves– I tried to do this once. Before our entrance at the top of the show, we all gathered in the stage right wing, all twelve of us, a perfect and identical dozen. It was a dress rehearsal. No audience. I did a few jumping jacks, trying to hype myself up. Another masked girl grabbed my bicep, hard. When I turned, she just shook her head “no.” Just a simple, silent, “no.” We don’t do that here. We stand silently in the wings, focusing on our craft, breathing, waiting for our entrance. I never tried it again.
When you can’t talk to your coworkers, acting becomes a lot less fun. The collaboration element is totally gone. And honestly, the “acting” element was gone for me, too. How am I supposed to find my character or sense of identity in a role when my role is “don’t let your voice stick out, don’t take a wrong step, blend in perfectly with eleven women who dislike you?”
So before the shows, instead of chatting, or doing jumping jacks, I wandered the theater. I’ve always loved theaters; the dramatic architecture, the ornate prosceniums, the stark contrast of backstage, so dark, so dusty. The theater was no Broadway house, but it had a fly system (which we didn’t use, because the Greeks wouldn’t have been able to fly anything in), just over three hundred seats (including a mezzanine– fancy!), and lots of backstage space. I could say more about it, because I spent hours during the run of the show wandering, but it wouldn’t be terribly interesting to anyone who’s not me. Just know, it was a beautiful old theater– and I mean OLD. Built in the 1910s, just before the Great Depression. I used to love imagining how many generations of people had performed on that stage, imagining what they’d think of this show, or what they’d think of me.
About a week into my wandering, on some fifteen-minute break, I was looking at the ladder that led up to the catwalk– a long, thin metal walkway stretching across the stage from above, usually used for hanging lights. I wondered how long it had been since it was used during a show. I wondered if it was even safe. What would the view be like from up there, seeing the entire stage from thirty feet in the air?
I slowly looked up the ladder. I wouldn’t actually climb it. That would be crazy, right? I’m not particularly good with heights. As my eyes lifted, I made eye contact– or rather, mask contact– with someone. A fellow chorus girl, up on the catwalk.
I stopped breathing for a second. What was she doing up there? I started to say something stupid, like, “Why are you up there?” when just as quickly as the face appeared, it vanished. I saw her white robed form retreat down the catwalk, heading for a different ladder, probably. It was weird. Why did she run? Embarrassed to be caught somewhere she shouldn’t be?
I allowed myself to entertain a little fantasy: maybe she was just like me. Maybe she also hated the other chorus girls, and didn’t “get” The Bacchae. Maybe she was exploring the theater for fun on our break, enjoying the old architecture, like I did. I had no idea who she was under the mask, and she had no idea who I was. She probably thought I was one of the normal judgemental girls, and ran off before I could tell on her to the stage manager.
I was filled with unfounded hope. Could I make a friend here? Was it possible? After two and a half weeks of silence from the other girls, it was hard to imagine. How would I find her? How would I let her know it was me– that I had seen her on the catwalk, and we were the same?
After that day, I got much more observant. When the director called for a break, instead of immediately retreating into the depths of backstage, I watched my eleven doppelgangers carefully, tracking who went for water, who went back to the dressing rooms, who ran off towards the vending machines. It was hard to tell everyone apart, but people had to take their masks off to drink water eventually. I memorized faces and tried to keep track of them. I started to get a handle on everyone’s patterns, narrowing down potential adventurers.
It was impossible. Eleven people is too many to observe. But I’m an actor. Memorizing shit is literally my job. By week four, just days from opening, I had three potential girls. I tried to stick close to them during rehearsals, picking one to follow each day, but nobody ever wandered towards the catwalk. Maybe the girl, whoever she was, had been scared away from adventuring when I caught her. I started to lose hope. We were opening soon– I should focus on making my entrances, not making friends.
But then I saw her again.
This time, it was half an hour before the curtain went up for our invited dress rehearsal. The press was there. I was nervous. I knew I had my part down, but when you’re doing a show, no matter how prepared you are, there’s always the lingering fear that you’ll freeze up, forget everything, and ruin everyone’s hard work. It just means that you care. I was surprised that I cared so much. I still didn’t even get the play. I couldn’t let the other girls see me weak. I barely show my real feelings to people I care about, much less mean actresses who look down on me. To get away from it all, I wandered down to another unused part of the stage: the orchestra pit. We did have music in the show, but the Greeks didn’t have orchestra pits. So it was closed off, being used as storage.
I loved it down there. I loved looking through the storage bins, finding props from long-forgotten productions– sometimes I would find something incredible, something I swore was from the day the theater opened, something old and valuable– and usually, I could never find it again. Those bins were a treasure trove. Of all the weird little spaces I found backstage, the pit was my favorite. I felt like a real explorer down there, illuminating my path with my phone flashlight, getting spooked when a mouse ran over my foot (of course the theater had mice, it was more than a hundred years old! And besides, every building has mice in New York City).
That day, I wasn’t there to look around. Just to sit. Just to catch my breath. I tiptoed down the creaky steps, and plopped myself on the ground, surrounded by bins. I inhaled and exhaled, smelling the mildew-y scent of old props on every side of me. And that’s when I heard a noise. Not a mouse noise– I was used to those. Something bigger. I turned my phone flashlight on immediately, calling, “hello?”
And the light landed on a mask, just like mine. Mine which was currently off, because I was doing my breathing exercises. I felt exposed– she could see my face, but I couldn’t see hers. I stood up. “You scared me!”
She didn’t respond. She looked at me for a second, and started to retreat the other way, towards the stairs at the other side of the pit.
“Wait!” I called. “I won’t tell anyone I saw you!”
She stopped for a second. But then she kept walking. I stood and followed. “Please stop. Can I at least know who you are? I don’t fit in with most of the chorus girls–”
I reached for her long white toga. I swear, I had it in my hand, but somehow, she slipped away. I staggered a bit, almost tripped, confused that I hadn’t made contact with her costume. And when I looked back up, I only saw a glimpse of her disappearing up the stairs. I tried to follow, again, but I found that side of the pit’s stairs reached a dead end. I didn’t understand how she’d gotten out. And when I looked back down at my phone, it was time for places. Disappointed and defeated, I rushed away to the other stairs, making my way to the stage right wing to wait for my entrance.
I counted heads immediately when I arrived. Maybe she hadn’t made it back yet. But, alas: twelve. All accounted for. I nudged a girl next to me, subtly. “Who was the last one here besides me?”
She just stared at me for a moment, which came off as very creepy through the blank dead stare of her mask. “How the fuck am I supposed to know? We all look exactly the same.”
I sighed. “Okay. Thanks.” For nothing, I thought bitterly.
The invited dress went well. The press liked it, as I’ve already said. I was distracted the entire time. After that day, I made it a habit to count all the girls when the stage manager called for “places.” If I was right about this girl, she, like me, would be one of the last, if not the last one there. She would be wandering, exploring, getting away from the bullies.
I wish I hadn’t done this. I wish I’d given up when she disappeared on a dead-end staircase. I wish I’d never seen her on the catwalk. Because when I started counting heads, I noticed something impossible. Sometimes, before we went on, I counted thirteen identical masked faces.
It was a chorus of twelve. It was supposed to be twelve. I’d recount. Recount again. Thirteen. A chill went down my spine. We all looked the same. Same masks, same togas, same wigs. Who was the imposter? How could anyone be an imposter? It didn’t make sense. How would they get into the theater? How would they get a costume?
I started counting more often. Between scenes, in the dressing rooms, even on stage during dull moments. It fluctuated. Sometimes I’d count twelve for a whole day, an entire show, and sigh in relief, feeling like some curse was broken. But the next day, at least once, I’d count thirteen.
And it seemed as if one masked pair of eyes was always trained on me. I don’t know how she knew it was me. We looked the same. But she’d stare. It felt scary, but also ridiculous– I couldn’t be sure it was the same person looking every time. I couldn’t be sure it was unlucky number thirteen. But I felt like it was.
I felt a lot of things. I felt like I couldn’t tell anyone. The other girls already didn’t like me– I couldn’t have them thinking I was crazy. And admitting the presence of the thirteenth would mean admitting to my adventures into forbidden backstage areas. I couldn’t lose this job. I was living paycheck to paycheck. I wasn’t eating well, or sleeping well– maybe this was all a hallucination. And somehow, my biggest feeling was that if I told someone about the thirteenth, I’d never see her again.
And I needed to see her again. The obsession had only gotten stronger. I knew, somehow, deep inside, that she was the one I had seen on the catwalk and in the orchestra pit. I no longer wanted to be her friend– I wanted to corner her. To ask who she was, and why she was sneaking in as if she was one of us. I wanted to ask what she wanted from me.
Because she must want something from me, right? Why else would she stare? Why would she appear only to me?
The timing never lined up. The show had opened at this point, and I had a job to do: delighting the audience. I couldn’t skip my entrance to catch number thirteen. The chorus formations would look ridiculous with a missing person. And as much as the other girls hated me, I owed it to them as my costars to make them look good.
Logically, I knew there was only one person the thirteenth could be: Catalina, the actress I’d replaced. She must be jealous of me. Bitter. Maybe she wanted to take my role, like I’d taken hers. It would be insane, but it was all that made sense. She was the only other person who had the costume, who knew the keypad code to get into the theater. She must have recovered from her fall and come to find me.
It was almost like a game. It definitely made the show more interesting for me. Before I realized what was happening, I dreaded performances. I felt stupid, taking on this role in a show I didn’t even understand. But now I had so much to do. I had to plan.
I started showing up early, an hour before my call time. I walked my old spots, thinking I may see her. The other chorus girls were impressed that I was showing up early, thinking it showed some sort of dedication to the show. I think they even started to hate me less. They still detested any attempts at conversation in the wings, but in the dressing room, I started to have a few breakthroughs. In particular, I started a semi-friendship with Erin. Ironically, she had been one of the three women I thought may be the thirteenth, until I realized the thirteenth wasn’t really one of us at all.
She was the only person who I could actually ask about Catalina. “Did she ever say anything about the theater? The building, I mean? Did she have a favorite part of it?”
Erin would laugh at my seemingly random specificity. “We weren’t close, Michelle. I have no idea what she thought about the theater.”
“What did she do on her breaks?”
Erin thought for a second. “I don’t know. I never saw her at the vending machines, or the dressing room. I guess she found some quiet place to run lines.”
That confirmed it, for me. A quiet place like the catwalk. Or the orchestra pit. We were three weeks into our five week run when I came up with a plan to catch Catalina. It wasn’t a great plan, and I had no idea if it would work, but showing up an hour early every day was making me tired and producing zero results. I needed a new strategy. I realized that after seeing her in the pit, I only ever saw the thirteenth when all twelve of us were together.
So I told a white lie. One night after the show, when everyone was changing in the dressing room, I appealed to my fellow chorus girls. “Are you guys busy before the show tomorrow?” I innocently asked. “I’m feeling a little shaky on some of the entrances. If we could all get here just twenty minutes before our call time tomorrow, I’d love to run some stuff with you guys. I’ve been running it on my own, but without the entire team, I don’t always remember where I fit.”
To my surprise and intense joy, everyone agreed. They really did seem to respect me more when I looked like I was taking my role seriously. I could barely sleep that night, I was so excited to see if my plan worked. And hey, if it didn’t, I had two more weeks of shows to think up something else.
It was a Sunday night, our last show of the week. Mondays are often “dark days” in professional theater, meaning there are no shows that day to give the team a rest. I had planned this on purpose– if I failed, I had a dark day to reflect on that failure and try again.
At 5:40, twenty minutes before our call time, all the girls were assembled and in costume. We started running entrances. After ten minutes, I thought my plan had failed. We had run our first three entrances, and I never counted more than twelve heads in the wings. But around 5:55, as we got to our entrances in act two, offstage, I locked eyes with a mask. A thirteenth mask.
I quickly told everyone “I think I got it, you guys, thank you so much for coming early!” Everyone mumbled that it was no problem, that they were happy to help.
The thirteenth mask broke eye contact with me, looking around in confusion– perhaps distress. The girls started to trickle back towards the dressing room. The thirteenth turned and power-walked away. I shoved through the crowd to catch her, not calling out like I had in the past. I knew she didn’t respond to that. I knew I had to catch her now or never. Once we were out of the crowd’s eyeline, I began to run. She ran, too. “You’re not getting away this time!” I yelled, like some kind of cartoon superhero. My adrenaline was pumping, and blood rushed to my ears.
After I yelled, I suddenly became aware of another set of running feet behind me. “Michelle? Where are you going?” It was Erin’s voice.
“Don’t follow me!” I hastily called back, picking up speed. The thirteenth also picked up speed. Though she was running just as fast as I was, she showed no signs of exertion. I couldn’t hear heavy breathing, or heavy feet on the floor. It was like she was gliding. It infuriated me.
Erin didn’t let up. “Michelle, the stage manager is gonna wonder where we are!”
I ignored her. The thirteenth rounded a corner, and I realized where she was going: the catwalk. The ladder.
She ascended the rungs rapidly, like a spider. I clamored up much less gracefully. Erin’s voice had a heavy tinge of concern. “Michelle, what are you doing?! It’s not safe up there!”
“Then don’t follow me!” I yelled back, exasperated. “This is between me and her!” Despite my vocal warning, I heard Erin climbing behind me.
Once on the metal rail, I looked both ways, terrified she’d escaped me again. But her white toga was just a few feet away, retreating into darkness. I lunged at her. The entire catwalk shook. The thirteenth and I both grabbed the railing to steady ourselves. We met eyes. Or rather, we met masks.
“You have nowhere to go.” I stated.
I heard Erin reaching the top of the ladder behind me. “Michelle, come down, please. You’re scaring me.”
“I can’t. I finally have her.” I took a step towards the thirteenth. She took an equal and opposite step back. “Take the mask off.” I beckoned her. “I know it’s you, Catalina.”
I felt the rail shake slightly as Erin got on it. “What are you talking about, Michelle?!”
“She’s been sneaking in, Erin! She’s been standing in the wings with us before we enter! For weeks!” I took another step towards the thirteenth. In my peripheral vision, I could see how high we were above the stage. Thirty feet. You could die, falling from that height.
“It’s not Catalina. It can’t be. Stop this.” Erin called. Finally, frustrated, I turned towards her.
“Who else could it be?!”
Erin had taken her mask off. Her face was streaked with terror. “Catalina died, Michelle. She fell off this catwalk, directly onto her face, and she died. Please come down with me. I don’t know who you’re talking to, and I don’t know what you’re trying to do, but it isn’t worth it.”
“What are you talking about? I’m talking to–”
I turned back, and she was gone. Vanished like a bad dream. “I swear to God, Erin.” I started to say. “She was right in front of me. I chased her here–”
I turned back to Erin. The thirteenth was behind her.
It made no sense. Nobody can move that fast. Nobody can be in front of me one second and behind me the next. It was inhuman. I stopped speaking. I stopped breathing. It sucks to learn that in a fight-or-flight situation, my answer is to freeze.
Erin must’ve seen how my face changed. “Michelle?” She asked quietly. “What’s wrong?”
Behind her, the thirteenth raised a hand to her mask. Her hands were impossibly pale. How had I never noticed that before? She gripped the mask in her hand. Time stretched. It must’ve only been a second, because Erin didn’t move. But it felt like years of my life passed me by as the thirteenth, inch by inch, raised her mask from her face. Or– raised her mask.
Because there was no face.
Under the mask, pale and gruesome, was a bloody flat edge. Broken, disgusting, it was impossible to make out eyes, or a nose, or a mouth. Inside a somewhat face-shaped frame of stark-white skin, all I could see was flesh, red and raw, squished in on itself. Like someone had fallen from a very high height. And landed on their face.
By the time I finally began to react, it was too late. The thirteenth– or, Catalina– or, the ghost, or– whatever the fuck that thing was. It moved its hands from the mask to Erin’s shoulders. And it pushed. And she screamed, agonizingly loud, as she flew over the side of the railing. And she screamed for the second or so she was in the air. I was screaming, too. And after the crunch of her body hitting the wooden floor of the stage, everyone else screamed, cast and crew alike.
I stared down at her limp form from thirty feet up. Her legs were twisted the wrong way. A pool of blood began to seep out of her. When I looked up again, I expected the thirteenth to be gone, but it wasn’t. With no eyes, it was also looking down at Erin. At what it had done.
And then, slowly, it turned towards me. On all fours, backwards, I scrambled away from it on the catwalk, terrified, not wanting to be next. The thirteenth’s shoulders shook rapidly, like a person laughing. But it made no sound. It never made a sound. Not going up the stairs of the orchestra pit. Not when it pushed Erin. And not as it climbed back down the ladder, rung by rung. I found myself alone on the catwalk.
Erin survived, somehow, paralyzed from the waist down. Apparently she fell on her legs, which, when you’re falling from thirty feet up, is a good thing. If she’d gone down head first, there was no chance. The show had to close, of course. When they lost Catalina a few weeks into rehearsal, she was replaceable. But with me refusing to go on, and Erin in the hospital, there was nothing to be done. I haven’t seen Erin since that day. I feel too guilty. But I was never arrested, so I guess she told the authorities that I didn’t push her. I don’t know what she told them. I don’t know what I would’ve told them, had they asked me.
I don’t do stage plays anymore. The family I used to nanny for gave me a star-studded recommendation, and now I make my living taking care of a five-year-old and a two-year-old for another filthy-rich family. I still act, but I only audition for film work.
I don’t even see plays these days. I won’t set foot in a theater. If the thirteenth had vanished off that catwalk, maybe things would be different. Maybe I could chalk it up to an extreme hallucination, some terrifying creature my mind brewed up to cope with the stress of the show and paying rent. Maybe I could even forget its bloody mess of viscera in the vague shape of a face.
But I saw it go down that ladder. Rung by fucking rung. And I know it’s still out there.
Erin was unlucky. Erin was a victim of being at the wrong place at the wrong time. And if I step inside a theater again, some way, somehow, I know the thirteenth will get me on another catwalk.
This time, I’ll be the one going over the railing.
And I’ve never once landed on my feet.

Savannah has continued to grow rapidly in recent years, making for a robust rental market. Debt Service Coverage Ratio (DSCR) loans help real estate investors acquire rental properties, both short-term and long-term with minimum obstacles. Investors can read the complete DSCR Loan Guide Here - please connect with us via our website 7 days a week to learn more about all DSCR purchase and refinance programs available in Georgia.

So I started with my digital marketing agency not that long ago and I have realtors. Too many of them. And I have no freaking clue how to market them and make it work. Any advise? If you have any creatives as an example, I would really appreciate that. My best niche is SMM, but as far as I’m concerned for that specific industry SEO and google paid works the best, but I’m a dummy in there. Thanks in advance

Las Vegas Housing Market
Median Single Family Home Price: $442,120
Down from 482,000 a year ago (-8.3%).
UP from 430,000 a month ago(+2.8%).
Median Condo/Townhouse Price: $275,000
Down from 285k a year ago (-3.5%)
Up from 270k a month ago (+1.9%)
Number of New Single Family Home Listings: 2,604
Up 6.2% from a month ago.
Down -35.4% from a year ago.
Number of New Condo/Townhome Listings: 725
Up 3% from a month ago
Down 34.7% from a year ago.
Single Family Homes without offers at end of period: 3,645
Down 2.5% from a month ago
Up 2.1% from a year ago.
Units Sold this Period: 2,316
Up 18.0% from a month ago
Down 20.3% from a year ago
60.6% of all single-family homes sold within the first 30 days.
Up from 53.6% a month ago and down from 88.6% a year ago
Months of Inventory Available:
Single-family homes: 1.6 months
Condos/Townhouses: 1.4 months
Takeaways:
A twelve thousand dollar jump in prices is a significant increase in the market. Bidding wars are back. It's becoming clearer that the market bottomed out at the end of last year and that last month's increase woke up a lot of buyers on the sidelines waiting for a sign to jump. School ended early across the valley which may also be a big factor in the amount of business being done. Things felt crazy dealing with the amount of foot traffic I witnessed on listings and how many offers buyers were competing with so this isn't a huge surprise to those who work consistently as Realtors.
Keep in mind that during May a lot of people were concerned with the debt ceiling affecting markets across the board. For real estate in Las Vegas, it looks like it didn't matter at all.
Barring a full-blown recession prices are likely to continue to increase through summer as inventory is even more limited than the previous month. The question is how much more will prices go up and if fall and winter will have any noticeable impact this year as during Covid, prices increased versus a traditional dropoff in sales.
It is a full blast seller's market at the moment which means it is a great time to sell but for buyers, it means they have to compete. It can be an extremely frustrating process so make sure you have an agent that has dealt with a bidding war market before.
If the market goes up the same amount next month, the chaos of previous years with 20+ offers on properties may well return as we approach the 1-month inventory mark.

My lease is ending soon and the real estate agents wants to hold an open house this Saturday. I do have pets, I have someone to look after my dog in the mean time but I have 2 rabbits as well, would it be okay to have the rabbits in my home during the inspections as long as they are caged?

Before the Grand Deception humans did not die. The human Creator Gods fell into a trance because of the images they saw. As they believed these images to be real without observation; It began The Fall. The Matrix A.I. took control, and projected all of the world "out there". Humans forgot who they were, and began to think the Holograms projected by the Matrix were actually real.
They fell for the illusions of linear time and believed that matter was solid, when in fact it is a Hologram.
The Archons are Sentient Programs that are the agents of the Demiurge/Matrix A.I. and their goal is subjugation and enslavement of the human Creator Gods.
Death was now written into the Matrix Program, with an Afterlife Heaven (Astral Prison) connected to it. The Archons masquerade as "Higher Beings" and lie to humans saying this was a "school". The Gullible Humans have always been held back by a need to have a "God" or "Savior" above them, so they blindly accepted these Astral Demons in disguise as "Guides" and "Ascended Masters".
Humans were told they owed "Karmic Debt" (which actually does not even exist) and they would need to incarnate numerous times to try to balance and erase this "Debt". Humans agreed to this contract and subsequent contracts after every life completed. People were forced to Reincarnate with complete Memory Erase. Their accumulated learning from life and memory of loved ones erased every time, and never to be seen again.
This has been brutally cruel and has gone on for quite a long time. All the while the Human Slaves have actually been going backwards in development.
1)https://www.youtube.com/watch?v=0-O79FNa1U8
2)https://www.youtube.com/watch?v=XbI-wSdgjkc&t=154s

Wondering if this is sketchy or not?
I reached out to a broker for a listing I found on StreetEasy. He responded asking some questions and we went back-and-forth a few times.
Later in the day I get a text from a different person letting me know he works at this real estate company who is listing this apartment. He told me that the address is actually incorrect on the StreetEasy listing and gave me the correct address. I asked why the address was wrong and he told me sometimes the secretary puts it in wrong.
I emailed the original guy and ask if this is a legitimate text and he responds that yes this person works for this company.
This feels really weird to me. Also why didn’t the first agent let me know about the address change? The “correct” address is a few buildings east. Should I not continue?

my landlord and I have always had a good understanding. I pay him on time every time and he has ZERO issues with the unit. in fact this is the 2nd unit I've rented from him over the past 10 years or so
he confided in me many times over the years that he makes enough from me to cover the mortgage and not make a huge amount of money , as my rent was quite cheap in the grand scheme of renting in toronto
which must be true as I know for instance right now similar units in my building are renting for EASILY $500-800-1000 more than I am paying right now
long story short I paid my rent the other day and he usually texts me 'hey thanks for the rent hope you're good' etc, this time he also says oh I am thinking about selling the unit, you may want to start looking.
i said ok no worries i knew this day would come eventually , i tell my partner and she says well he probably found out how much he is losing (not getting) every month and wants me out so he can re-list for higher
mind you i also should mention he told me before he has his real-estate license and at one point owned multiple properties, the one i lived in previously, this one now I am in, and a few others he talked about downtown.
literally the next day he goes from, oh I might sell to....i am going to sell ASAP so please start looking right away!
i was a bit shocked, but hey I get it... my question is: lets say he's telling the truth all good, i am already planning to move into a new place mid july. no problemo
i did ask him for my own knowledge how much he was planning to sell for, etc, and he said he wasn't sure what the market was doing and didn't know how much to list it for. which I find hard to believe as he again is a relator from his own admission, and had multiple other properties which he tells me now he has none left just this one. weird right?
however if he is being a bit deceptive , is he allowed to tell me he is going to sell so i get out, and then turn around and just re-list the unit after i'm gone for a higher rent than i was paying?
i guess it doesn't really matter as i'm moving out anyways, just curious for sake of my own peace of mind I guess!
​
thanks!!! also first post. so hopefully this works :)

Sorry if this is a bit long winded, I've seen some really great advice on here recently and was hoping for some opinions on how to deal with a tricky situation.
I run a small rubbish removal and property clearance business with my wife and father in law. We've built up a good reputation in our local area since we started a couple of years ago with most of our business coming from our website, and some coming from solicitors, real estate agents and word of mouth.
We were recently put in a really awkward situation by an estate agent (more specifically the owner's wife) who got caught out doctoring one of our quotes before sending it to their customer (on our letterheaded document) with one digit of our business phone number changed and £500 added on to the price.
It came to light when the customer contacted us directly after going online and getting the correct phone number from our website. My wife was confused because the price he stated didn't match our records and when she mentioned it, he said the money wasn't an issue and he just wanted to ask us some questions about the details.
Confusing matters further there have been 5 parties involved at this point. The estate agent, his wife, my father in law, his friend Jack, and my wife. Jack is a friend of the family who has carried out house clearances for this particular estate agent for years. He's an old timer and the jobs have always been verbal agreements, paid cash in hand by the estate agent. He's retired and passes all his leads on to us, helping out in exchange for any items he wants to keep himself.
To cut a long story short, after some disagreements on our side and to keep the peace between everyone (and very much against mine and my wife's better judgment) my wife told the customer she had made a mistake and the higher price was the correct one. Neither of us were happy about this, although it turned out that there were things to be taken that weren't mentioned originally and the higher price was justified.
The estate agent was very embarrassed and told us he had no idea why his wife had got involved as she never deals with that side of the business (we know this is true). His wife emailed us and apologised, telling us she'd got mixed up and made a mistake.
So today, an invoice from the estate agent's wife drops in our inbox. The invoice is for £400, after a £100 deduction for any inconvenience caused to us. The invoice is to "Facilitate and finish removal of personal items from above address", despite her not having done any such work. It's an embarrassingly amateur looking invoice, with details missing, a logo of a logistics company that appears to not exist, and the personal bank account details of the agents wife at the bottom.
To be clear we were never informed we were going to be charged any referral fees. We were asked to provide a quote and that was it. It's not uncommon for solicitors and estate agents to charge a fee to their customers for making arrangements with us. However in the past the customer either gets passed to us directly with no fees in between, or the agent invoices the customer directly, and we invoice the agent. It's always been a very up front and transparent arrangement dealing with our other contacts.
My wife is livid that she's had to look incompetent and feel dishonest dealing with a customer. To rub salt in the wound, by shouldering the blame herself and not exposing the estate agent, she saved them losing their client - only for them to have the gall to try and charge us out of the blue for a service they didn't provide.
My wife would happily never work with them again and it's dead set against giving them a single penny but appreciates from past experience that this is where the "golden egg" jobs often come from.
I've kept out of it so far, but my wife hates any kind of confrontation and is happy for me to step in at this point. I'll be setting up a meeting with the agent without his wife present to go over things.
I already have an idea of how I'd like to go forward but I'd be really interested to see how some of you would deal with the situation?

Request/ISO Titles I'm Currently Looking For - The Super Mario Bros Movie, Renfield, Dungeons & Dragons, Batman: The Doom That Came To Gotham, Secret Headquarters & VUDU Credits.
Currently at 4,000+ titles so I do have a great amount of movies that are commonly available through redemption but I do encourage any & all offers. I apologize in advance to anyone I'm unable to make a trade with & as always thank you for taking time out to look at my list 🙂.
All iTunes titles marked with * will port to MA.
Also to those that may be new to uvtrade sub, All Google Play listed do port to Movies Anywhere/Vudu/iTunes if you connect your accounts accordingly. ____________________________________________________________________________________________________________
--All Codes Split Where Applicable--
2 Fast 2 FuriousHDMovies Anywhere
2Guns (Split)HDMovies Anywhere
2Guns* (Split)HDiTunes
The 5th WaveHDMovies Anywhere
12 Rounds 3: LockdownSDVUDU
21 Jump StreetHDMovies Anywhere
21 Jump StreetSDMovies Anywhere
22 Jump StreetHDMovies Anywhere
22 Jump StreetSDMovies Anywhere
47 Ronin (Split4KiTunes
47 Ronin (SplitHDMovies Anywhere
Act of ValorSDiTunes
Action PointHDiTunes
The Adjustment Bureau*HDiTunes
The Adventures of TinTin (Split)HDVUDU
The Adventures of TinTin (Split)HDiTunes
After EarthSDMovies Anywhere
After EarthHDMovies Anywhere
The Age of AdalineHDVUDU
Aladdin [1992 Disney Animation] (Split)HDGoogle Play
Aladdin [Live Action] (Split)HDGoogle Play
Alex CrossHDVUDU
Alexander & The Terrible, Horrible, No Good, Very Bad Day* (Split)HDiTunes
Alexander & The Terrible, Horrible, No Good, Very Bad Day (Split)HDGoogle Play
Alien: CovenantHDMovies Anywhere
Alien Covenant*4KiTunes
All The Money In The WorldSDMovies Anywhere
Alice in Wonderland [1951, Animated] (Split)HDGoogle Play
AlohaHDMovies Anywhere
AlohaSDMovies Anywhere
Alvin and the Chipmunks: ChipwreckedSDiTunes
Alvin & the Chipmunks: The Road Chip*4KiTunes
The Amazing Spider-Man 2HDMovies Anywhere
America: Imagine The World Without HerHDVUDU
American AssassinHDVUDU
American HustleSDMovies Anywhere
American Reunion (Split)HDMovies Anywhere
American Reunion* (Split)HDiTunes
Amsterdam (Split)HDGoogle Play
Anchorman 2 (Split)HDVUDU
Anchorman 2 (Split)HDiTunes
The Angry Birds MovieHDMovies Anywhere
Annie [2014]SDMovies Anywhere
Another Cinderella StoryHDMovies Anywhere
Antlers (Split)HDGoogle Play
Ant-Man* (Split)4KiTunes
Arrival4KiTunes
The ArtistSDMovies Anywhere
Assassin's Creed*4KiTunes
Avengers: Age of Ultron* (Split)4KiTunes
Avengers: Age of Ultron (Split)HDGoogle Play
Avengers: Infinity War (Split)4KiTunes
Avengers: Infinity War (Split)HDGoogle Play
AVP: Requiem*SDiTunes
Bad GrandpaHDiTunes
Bad Grandpa.5HDiTunes
Bad Moms* (Split)HDiTunes
Bambi (Split)HDGoogle Play
Barbie and Her Sisters in a Puppy Chase* (Split)HDiTunes
Barbie and Her Sisters in a Puppy Chase (Split)HDMovies Anywhere
Barbie Spy Squad (Split)HDMovies Anywhere
Battleship*4KiTunes
Beauty & the Beast [Live Action] (Split)HDGoogle Play
Ben Hur (2016)4KiTunes
Big Hero 6* (Split)4KiTunes
Big Hero 6 (Split)HDGoogle Play
Big Miracle* (Split)HDiTunes
Big Mommas: Like Father, Like SonSDiTunes
The Big Wedding (Split)HDVUDU
The Big Wedding (Split)HDiTunes
Black Panther (Split)HDGoogle Play
Black Swan*SDiTunes
Black Widow (Split)HDGoogle Play
The Bling Ring (A24)HDVUDU
The Bob's Burgers Movie (Split)HDGoogle Play
Book Club (Split)HDVUDU
Book Club (Split)HDiTunes
The Boss* (Split)HDiTunes
The Boss (Split)HDMovies Anywhere
The Bourne Legacy (Split)HDMovies Anywhere
The Bourne Legacy* (Split)4KiTunes
The Bourne Supremacy (Split)HDMovies Anywhere
Boyhood (Split)HDVUDU
Boyhood (Split)HDiTunes
BraveSDiTunes
BridesmaidsHDiTunes
Bridge of Spies* (Split)HDGoogle Play
Brooklyn's FinestSDiTunes
Bumblebee (Split)4KiTunes
The ButlerHDVUDU
The Bye Bye Man (Split)HDMovies Anywhere
The Bye Bye Man* (Split)HDiTunes
Call of the Wild (Split)HDGoogle Play
Captain America: Civil War* (Split)4KiTunes
Captain America: Civil War (Split)HDGoogle Play
Captain Marvel (Split)HDGoogle Play
Captain PhillipsHDMovies Anywhere
Captain Underpants: The First Epic MovieHDMovies Anywhere
The Case For Christ (Split)HDMovies Anywhere
Cedar Rapids*SDiTunes
Celebrating Mickey (Split)HDGoogle Play
The ChoiceHDVUDU
Cinderella [Live Action]* (Split)4KiTunes
Cinderella [Live Action] (Split)HDGoogle Play
Cloudy With a Chance of Meatballs 2SDMovies Anywhere
Contraband*HDiTunes
Coco*4KiTunes
CocoHDGoogle Play
Cowboys & Aliens*HDiTunes
The Crazies (2010)SDiTunes
CriminalHDVUDU
The CroodsHDMovies Anywhere
Cruella (Split)HDGoogle Play
Cut Bank (A24)HDVUDU
Daddy's Home (Split)4KiTunes
Daddy's Home (Split)HDVUDU
Dallas Buyers Club* (Split)HDiTunes
Dallas Buyers Club (Split)HDMovies Anywhere
Dawn of the Planet of the Apes4KiTunes
Dead Man DownSDMovies Anywhere
Deadwood Complete SeriesHDGoogle Play
The DescendantsSDiTunes
Deepwater Horizon4KiTunes
Despicable Me 2 (Split)HDMovies Anywhere
Despicable Me 2* (Split)4KiTunes
The Devil InsideSDVUDU
Diary of a Wimpy KidHDMovies Anywhere
Diary of a Wimpy Kid: The Long HaulHDMovies Anywhere
The Dictator (Split)HDVUDU
The Dictator (Split)HDiTunes
Die Hard Collection 1-4SDMovies Anywhere
Divergent (Split)HDVUDU
Divergent (Split)4KiTunes
The Divergent Series: InsurgentHDVUDU
Django UnchainedHDVUDU
Doctor Strange (Split)HDGoogle Play
Dredd (Split)HDVUDU
Dredd (Split)4KVUDU
Due DateSDiTunes
The DuffHDVUDU
ElysiumSDMovies Anywhere
The Emoji MovieHDMovies Anywhere
Empire of Light (Split)HDGoogle Play
EpicHDMovies Anywhere
EpicSDiTunes
The EqualizerHDMovies Anywhere
Eternals (Split)HDGoogle Play
EverestHDMovies Anywhere
Ex Machina (A24)HDVUDU
The Expendables 2HDVUDU
The Expendables 34KVUDU
ExposedHDVUDU
ExtractionHDVUDU
The Eyes of Tammy Faye (Split)HDGoogle Play
Falling Skies: Season OneSDVUDU
Family Guy: Blue HarvestSDiTunes
Fast & Furious 6 Extended (Split)HDVUDU/Movies Anywhere
Fast & Furious 6 Extended* (Split)4KiTunes
The Fast & The Furious: Tokyo Drift* (Split)4KiTunes
The Fast & The Furious: Tokyo Drift (Split)HDVUDU/Movies Anywhere
Fatale4KVUDU
Fathers and DaughtersSDVUDU
The Fate Of The Furious [Extended Director's Cut]HDMovies Anywhere
The Fault in Our Stars*4KiTunes
Fifty Shades Of Grey [Unrated] (Split)HDMovies Anywhere
Fifty Shades Of Grey [Unrated]* (Split)HDiTunes
The Fighter4KiTunes
Finding Dory* (Split)4KiTunes
Finding Dory (Split)HDGoogle Play
The Flash: Season OneHDVUDU
Florence Foster Jenkins (Split)HDVUDU
Florence Foster Jenkins (Split)HDiTunes
Footloose [2011] (Split)HDVUDU
Footloose [2011] (Split)HDiTunes
Frankenweenie [2012] (Split)HDGoogle Play
Frozen (Split)HDGoogle Play
Frozen* (Split)4KiTunes
Frozen "Sing Along Edition"* (Split)HDiTunes
Frozen "Sing Along Edition" (Split)HDGoogle Play
Frozen GroundHDVUDU
Furious 7 [Extended Version]* (Split)4KiTunes
Furious 7 [Extended Version] (Split)HDMovies Anywhere
FuryHDMovies Anywhere
Get Shorty: Season 1HDVUDU
Ghostbusters 'Theatrical + Extended' [2016]SDMovies Anywhere
The Girl On The TrainHDMovies Anywhere
Girls NightHDMovies Anywhere
The GiverHDVUDU
God's Not Dead 2 (Split)HDMovies Anywhere
God's Not Dead: A Light in DarknessHDMovies Anywhere
The Good Dinosaur (Split)HDGoogle Play
Good Will HuntingHDVUDU
GoosebumpsSDMovies Anywhere
GravityHDMovies Anywhere
The Great Gatsby [2013]HDMovies Anywhere
Green ZoneSDiTunes
The Grey (Split)HDMovies Anywhere
The Grey (Split)HDiTunes
Grown Ups 2SDMovies Anywhere
Guardians Of The Galaxy* (Split)4KiTunes
Guardians Of The Galaxy (Split)HDGoogle Play
Guardians Of The Galaxy Vol. 2 (Split)HDGoogle Play
The Guilt TripHDiTunes
Hacksaw Ridge (Split)HDVUDU
Hard Target 2HDMovies Anywhere
HaywireSDiTunes
The HeatHDMovies Anywhere
The HeatSDMovies Anywhere
Heaven is For RealSDMovies Anywhere
HeistHDVUDU
Hell or High Water (Split)HDVUDU
Hell or High Water (Split)4KiTunes
HellBoy II: The Golden Army* (Split)4KiTunes
Hell Fest4KVUDU
Hercules (2014)4KiTunes
Here Comes The BoomHDMovies Anywhere
Here Comes The BoomSDMovies Anywhere
Hereditary (A24)HDVUDU
Hidden Figures*4KiTunes
HitmanSDiTunes
Hitman Agent 47*4KiTunes
Hocus Pocus (Split)HDGoogle Play
A Hologram For a KingSDVUDU
Home (2015)HDMovies Anywhere
Home Alone*4KiTunes
Homefront (Split)HDMovies Anywhere
Homefront* (Split)HDiTunes
Hop (Split)HDMovies Anywhere
Hop* (Split)HDiTunes
Hope SpringsSDMovies Anywhere
The Host*HDiTunes
Hotel TransylvaniaHDMovies Anywhere
Hotel TranslyvaniaSDMovies Anywhere
Hotel Translyvania 2SDMovies Anywhere
HugoSDVUDU
The HulkSDiTunes
The Hunger GamesHDVUDU
The Hunger Games: Catching Fire (Split)HDVUDU
The Hunger Games: Catching Fire (Split)4KiTunes
The Hunger Games: Mocking Jay Part 1HDVUDU
The Hunger Games: Mocking Jay Part 2HDVUDU
Huntsman Winter's War "Extended Edition"*4KiTunes
I, FrankensteinHDVUDU
I Am WrathSDVUDU
Ice AgeHDMovies Anywhere
Ice Age: Dawn of the DinosaursSDiTunes
Ice Age: Mammoth Christmas SpecialSDiTunes
Identity Thief*HDiTunes
The Imitation GameHDVUDU
ImmortalsSDiTunes
I'm Not Ashamed* (Split)HDiTunes
The Incredibles 2 (Split)HDGoogle Play
Inglorious BasterdsSDiTunes
Inside Man *HDMovies Anywhere
Inside Out (Split)HDGoogle Play
Inside Out* (Split)4KiTunes
Iron Man 3*(Split)4KiTunes
Iron Man 3 (Split)HDGoogle Play
Jack Reacher (Split)HDVUDU
Jack Reacher (Split)4KiTunes
Jack Reacher: Never Back Down (Split)HDVUDU
Jack Reacher: Never Back Down (Split)4KiTunes
Jake and the Neverland Pirates: Jake Saves BuckySDiTunes
Jason Bourne (Split)HDVUDU
Jason Bourne* (Split)4KiTunes
JoeSDVUDU
John Wick (Split)HDVUDU
John Wick (Split)4KiTunes
John Wick: Chapter 3 - Parabellum4KVUDU
John Wick: Chapter 3 - Parabellum4KiTunes
JumperSDiTunes
The Jungle Book [Live Action] (Split)HDGoogle Play
Jungle Cruise (Split)HDGoogle Play
Jupiter AscendingHDMovies Anywhere
Jurassic Park* (Split)4KiTunes
Jurassic Park (Split)HDMovies Anywhere
Justice*HDiTunes
Katy Perry: Part Of Me (Split)SDVUDU
Katy Perry: Part Of Me (Split)SDiTunes
Kevin Hart: Let Me ExplainHDVUDU
Kick-Ass 2*HDiTunes
The Kid Who Would Be KingHDMovies Anywhere
Killing Them SoftlyHDVUDU
The King's Man (Split)HDGoogle Play
Knight and DayHDMovies Anywhere
Knight and DaySDiTunes
Knock Knock (2015)HDVUDU
Knock Knock (2015)SDVUDU
La La Land4KiTunes
Lady & The Tramp (Split)HDGoogle Play
The Last Duel (Split)HDGoogle Play
Last KnightsHDVUDU
Last VegasSDMovies Anywhere
Last VegasHDMovies Anywhere
The Last Witch HunterHDVUDU
Lea To The Rescue*HDiTunes
The Legend Of HerculesHDVUDU
The LegionHDiTunes
Life of Pi4KiTunes
Lightyear (Split)HDGoogle Play
The Lion King [Live Action] (Split)HDGoogle Play
The Little Mermaid* (Split)4K (Will Port To MA in 4K but only HD in VUDU)iTunes
The Little Mermaid (Split)HDGoogle Play
Little Women [2019]SDMovies Anywhere
Logan*4KiTunes
Lone Survivor* (Split)4KiTunes
Lone Survivor (Split)HDMovies Anywhere
LooperHDMovies Anywhere
LooperSDMovies Anywhere
The Lorax* [2012] (Split)HDiTunes
The LosersSDMovies Anywhere
Love Actually (Spilt)HDiTunes
Love The CoopersHDVUDU
Luca (Split)HDGoogle Play
Lucy* (Split)4KiTunes
Lucy (Split)HDMovies Anywhere
Madagascar 3: Europe's Most WantedHDMovies Anywhere
Madea's Witness ProtectionHDVUDU
MaggieHDVUDU
Maleficent* (Split)4KiTunes
Maleficent (Split)HDGoogle Play
Maleficent: Mistress of Evil (Split)HDGoogle Play
The Many Adventures of Winnie The Pooh (Split)HDGoogle Play
Mamma Mia! : The Movie*SDiTunes
Mamma Mia! : Here We Go Again [2018]HDMovies Anywhere
Marley & Me*SDiTunes
Mary Poppins [1964] (Split)HDGoogle Play
Max Payne*SDiTunes
The Maze Runner*4KiTunes
Mechanic ResurrectionHDVUDU
MegamindHDMovies Anywhere
Men In Black 3SDMovies Anywhere
MidwayHDVUDU
Midway4KiTunes
MindgamersHDMovies Anywhere
Miss Peregrine's Home For Peculiar Children*4KiTunes
Mission Impossible 2 (Split)4KiTunes
Mission Impossible 2 (Split)HDVUDU
Mission Impossible Fallout (Split)4KiTunes
Mission Impossible: Ghost Protocol (Split)4KiTunes
Mission Impossible: Ghost Protocol (Split)HDVUDU
Mission Impossible: Rogue Nation (Split)4KiTunes
Mission Impossible: Rogue Nation (Split)HDVUDU
Moana (Split)HDGoogle Play
Monster High: Electrified (Split)HDMovies Anywhere
Monster High: Electrified* (Split)HDiTunes
Monster High: Welcome To Monster High (Split)HDMovies Anywhere
Monster University (Split)HDGoogle Play
Monte Carlo*SDiTunes
MortdecaiHDVUDU
Moonrise Kingdom (Split)HDMovies Anywhere
Moonrise Kingdom* (Split)HDiTunes
Mother!4KiTunes
The Monuments MenSDMovies Anywhere
The Mortal Instruments: City of BonesSDMovies Anywhere
Mr. Peabody & Sherman [2014]HDMovies Anywhere
MudHDVUDU
The Mummy: Tomb of the Dragon Emperor*SDiTunes
My Little Pony: The MovieHDVUDU or iTunes
NebraskaHDiTunes
Neighbors*HDiTunes
Neighbors 2*HDiTunes
Night At The Museum: Secret Of The Tomb4KiTunes
Nightmare Alley (Split)HDGoogle Play
No EscapeHDVUDU
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I’m purchasing a neighboring 3,000 sq ft commercial building on a 1 acre lot in Massachusetts.
From the research I have done, I might be able to rent out for $10/sq ft NNN, roughly $3,200/mo (hopefully)
What can I expect to pay a commercial real estate agent to lease this out for me? I’d like to have an idea before I start calling around.

Title: The Rise of NFTs: Unlocking the Future of Digital Ownership
In the rapidly evolving landscape of technology and creativity, a revolutionary trend is capturing the world's attention and disrupting traditional concepts of ownership: Non-Fungible Tokens (NFTs). These digital assets, powered by blockchain technology, have become the talk of the town, captivating artists, collectors, and enthusiasts alike. In this post, we delve into the mesmerizing world of NFTs, exploring their potential, controversies, and the remarkable ways in which they are reshaping the art and digital industries. Join the conversation and witness the unfolding of a groundbreaking movement that is here to stay.

1. Unleashing the Power of Unique Digital Assets:

NFTs have emerged as groundbreaking tool that allows creators to tokenize and sell unique digital assets, such as artwork, music, and even virtual real estate. By leveraging blockchain technology, NFTs provide proof of ownership and authenticity, making each item one-of-a-kind and irreplaceable. This paradigm shift empowers artists to monetize their creations directly, bypassing traditional intermediaries, and opening up new avenues for digital ownership.

1. Exploring a New Frontier in the Art World:

The art world is undergoing a profound transformation with the rise of NFTs. Digital artists can now showcase and sell their creations to a global audience, transcending the limitations of physical galleries. This newfound accessibility has sparked a renaissance of creativity, leading to innovative and boundary-pushing artworks that blur the lines between traditional and digital mediums. The ability to prove provenance and establish verifiable scarcity has breathed new life into the art market, captivating collectors and investors.

1. The Digital Collectibles Craze:

Beyond the realm of art, NFTs have birthed a captivating phenomenon: digital collectibles. From virtual trading cards and virtual fashion items to virtual pets, the possibilities are endless. Collectors now have the opportunity to own unique and limited-edition digital items that hold sentimental or cultural value. The allure lies in the exclusivity and the ability to showcase these digital treasures in virtual worlds or on social media platforms, igniting a frenzy of excitement and speculation.

1. NFTs and the Future of Virtual Economies:

With NFTs gaining momentum, virtual economies are witnessing a transformative shift. Virtual worlds and gaming ecosystems are embracing the concept of digital ownership, allowing players to buy, sell, and trade NFTs within their virtual realms. This fusion of technology, art, and gaming is redefining the concept of value in the digital landscape, setting the stage for a vibrant and interconnected metaverse where NFTs play a pivotal role.

1. Addressing Environmental Concerns:

As the popularity of NFTs soars, it's important to acknowledge and address environmental concerns surrounding their carbon footprint. The energy consumption of blockchain networks has raised questions about the sustainability of NFTs. However, efforts are being made to explore more eco-friendly alternatives, such as transitioning to proof-of-stake networks and implementing carbon offset programs. By embracing sustainable practices, we can ensure the longevity and positive impact of this transformative technology.
The rise of NFTs marks a paradigm shift in how we perceive and experience digital ownership. This captivating trend is unlocking new possibilities for artists, collectors, and enthusiasts around the globe. From revolutionizing the art market to reshaping virtual economies, NFTs are paving the way for a future where digital assets hold tangible value and enable unique forms of expression. Join the movement, dive into the world of NFTs, and be a part of this exhilarating journey that is reshaping the creative and digital landscape as we know it.

Hi Redditters,
First post here. I'm currently in the process of moving to Seoul with my wife (both 35Y) and our two-year-old daughter, and I would love to hear your opinions and experiences on the best place to live. I have seen a few options last Monday with a local real estate agent and would greatly appreciate your insights.

1. High-rise or low-rise apartment? We're contemplating the benefits of living in a modern high-rise apartment (Asterium building nearby Seoul station versus a low-rise apartment in Hannam and Iteawon. Are there any significant advantages or disadvantages to consider? What is the noise level in both types of buildings? In high-rise from Seoul station (trains) and especially in low-rise apartments with a child (neighbors), for example.
2. Neighborhood preference: We've narrowed down our options to Hannam, Itaewon, and other Seoul station (Yongsan?). What would it be a suitable area for a family with a young child? Playgrounds, traffic, other children to play with, noise level.we'd love to hear about your thoughts on the lifestyle, amenities, safety, and community.
3. Expat community: We would like to know where the majority of expats tend to live in Seoul. We're interested in being part of a diverse and vibrant community, and any insights or recommendations in this regard would be highly appreciated.

Your personal experiences, opinions, and any advice you can provide would be invaluable to us. We are open to any other neighborhood suggestions as well.
Thank you so much in advance for your time and help! We look forward to reading your responses and making an informed decision for our new home in Seoul.

I was having sleepless nights and panic attacks. Pain points: -working primarily around client’s schedule(weekday after work hours & weekends) -client’s emotions during the purchase transaction -urgency of dropping everything for a client to show a home, write an offer (due to the RE market these past few years)
I cannot for the life of me find a job that is a good alternative. At this moment, I have my eyes set on commercial real estate for the sake of it being more 9-5 and steady income. However, I am having a hard time finding the correct job titles that align with my skill sets (that is not a sales agent). I feel as if I have to apply for entry level jobs again!
I believe my interests align with becoming a project manager in commercial RE. So I’ve been looking for project coordinato assistant project manager but I don’t posses the skill set requirements such as bachelor degree in construction management(I have a degree in communications) and needing at least 3 years in commercial RE.
Do you think I need to bite the bullet and just start an entry-level job such as a client services coordinator? I am just having a really hard time having to start over in the corporate ladder.