I'm searching for a fun young woman who's visiting RVA or further north in VA for the summer for fun or as an intern.
If you're up for an adventure, we can spend time together, get to know each other. Explore this amazing city together, share fabulous meals. Even take some weekend trips together if you trust me enough to keep you safe.
I LOVE art, animals, all kinds of music, road trips, the beach, and lots more. If you're looking to switch things up with an adventurous summer fling, say hi and tell me a little about you.
I'm 47, white, over 6ft, clean cut. Short brown hair, hazel eyes. And looking forward to hearing form you.
In your msg, please tell me why you're in town this summer and (very generally) what area you're staying in.

February 8, 2146, Project Chameleon HQ, Brussels, PRE
It has been a few weeks since Project Autumn has returned back to her normal life. Her days were pretty routine. She would wake up and eat breakfast. Then head to briefs and classes. Then, she would eat lunch before heading off to drills and training that left her sore and extremely fatigued. Autumn would eat dinner, shower, talk to Juliette for a few hours before falling asleep to do it all over again. The days soon became three weeks since she saw Juliette in person. Autumn’s next mission to Rio was quickly approaching. Autumn was excited about it, but what she really wanted to do was spend time with the girl that she really liked. Her training was done, and she was packing her bags for her mission. Autumn was told that she would be a part of the next gauntlet that would take place after she gets back from Rio. She was very excited about it and couldn’t wait to tell Juliette. Autumn looked at the time and saw that it was still five hours before she would normally call Juliette. She was bored, lonely, and really wanted to talk to her. Autumn wrestled with this as she packed her bags.
Agents of Chaos HQ, New York City Containment Zone, PRE
Icari raced through one of the remaining buildings of what was once an overpopulated city. Most of what was once known as New York City was destroyed during the Great War. The city was deserted and hardly anyone lived there. It became the perfect location for the headquarters for the Agents of Chaos. Icari found this out through hacking the government’s mainframe. She decided to put an end to them once and for all. Icari also wanted to know what their connection was to the Prospers. She raced floor to floor eliminating their commanders and whoever she came across. Soon, she found the last remaining members as she stalked
them in the lower parts of the building with her curved blades ready to strike. Icari cornered them ready to end the threat of the Agents of Chaos. They knew that they were out of bullets and out of time. They huddled in fear from what they perceived to be their inevitable demise.
“Wait! Please, don’t kill us.” Agent 1 said with fear in their voice.
Icari was shocked and amused as she stopped and said, “Wait…what? Why shouldn’t I?”
“Be…because we are extremely sorry for all of the stuff that we have done.” Agent 1 replied.
Icari scoffed and started to move closer to them. She suddenly froze when she received a notice of an incoming call. Icari smiled when she saw that it was from Project Autumn.
Icari looked at the Agents and said, “Hey, can you all give me some time. I really need to answer this call.” Icari answered the call with a French accent. “Hello, Mademoiselle Autumn. Is everything alright?”
“Did. Did she just put us on hold?” Agent 1 asked.
“I know right and what’s up with the French accent?” Agent 2 replied.
Icari glared at the agents and put a finger to her lips to silence them. They quickly covered their mouths with their hands with fear in their eyes.
Autumn replied, “Hi, Juliette. It is so good to hear your voice. Yes, everything is fine. I am packing for my mission to Rio. I was bored and lonely. I started to think about you and how much I really miss you.”
Icari smiled as she sat down on a desk facing the agents and said. “Aww. That is sweet of you to say. I have been thinking about you too.”
Autumn said, “I hope that I am not bothering you or anything. Are you busy right now?”
Icari replied, “No, not at all. I was taking care of something easy, but it can wait.”
Autumn quickly replied, “Are you sure? We can talk later if you want.”
Icari smiled and said, “No, it’s okay. I am sure that we can talk now.”
Meanwhile, the remaining Agents of Chaos began to argue with one another about what they
should do. Icari could hear their bickering and became extremely annoyed with everything that they were saying. She stood up and glared at them.
Icari counted the remaining agents, sighed, and said, “Autumn, give me a moment, please. It should take me… about thirty seconds to finish this simple task.”
Autumn replied, “Umm…sure. Take your time. I will be here when you are done. Please don’t take too long.”
Icari smiled and said, “Thank you, Mademoiselle. I promise not to keep you waiting long.”
Icari lunged at the remaining agents as they backed away in horror. Fifteen seconds later, Icari had taken care of the last remaining Agent of Chaos. She picked up a cloth and cleaned her daggers. Icari put them away before she pulled out a black disc out of her pocket. She headed towards their command center.
Icari asked, “Autumn, are you still with me?”
Autumn quickly replied, “Yes, yes. I am still here.”
Icari smiled as she put the disc on the main computer’s case and pushed a button as lights began to light up clockwise. She smiled and said, “Thank you for waiting.”
Autumn smiled and replied, “You’re welcome. I would have waited longer.” Autumn teased as she continued. “But… I guess the issue wasn’t as difficult as you thought.”
Icari laughed and said as she left the command center, “Sorry, I suppose I overestimated how difficult the issue would be.”
Autumn laughed and said, “I guess that I wouldn’t know, but the reason that I called you earlier than normal is I have news that I couldn’t wait to tell you at our normal time.”
Icari picked up a bag as she headed down the stairs to the basement where the building’s support beams were located. Icari said, “News? I appreciate you calling me to give us more time to talk, but what is the news?”
Autumn replied as Icari put small boxes with tubes filled with a green and yellow substance on the support beams and flipped a switch, “Yes, I was told earlier today, that after I get back from the mission to Rio, I will take part in the next gauntlet to decide who I may get paired with. What do you think?”
Icari was shocked and froze when she heard the news. She became scared that it would become a lot more difficult for her to see Autumn. Many feelings and thoughts ran through her head.
Autumn became concerned and asked, “Juliette, are you still there?”
Icari shook her head and replied, “Sorry, to make you concerned, and I am happy for you. Are you excited about your mission to Rio?”
Icari threw the empty bag aside after she placed the last box. She started to head back up the steps to the command center.
Autumn was excited as she replied, “I am super excited to be going for a couple weeks. They said that I deserve it from all of the stuff that I have dealt with lately. It will be two weeks of nothing but swimming and relaxing in the summer air.” Autumn became nervous as she continued. “B-but I- I w-wish that you could be there. It would be my first Valentine’s Day spending it with someone that I really like.”
Icari saw that all of the lights were lit green as she retrieved the black disc. She smiled and said, “Well. Mademoiselle, I may be able to make your wish come true.”
Autumn was shocked as she said, “Really? Tell me you aren’t joking or teasing me. Are you being serious?”
Icari had walked down the stairs to a door that led to an alley. She smiled and replied, “I would not joke or tease you to turn around and break your heart. I cannot make any promises, but I will make sure that I will do my best to help your wish come true.”
Icari walked out the door and pushed a button on her wrist. Suddenly, a black and red motorcycle appeared in the shadows with a black and red helmet with cat ears on it.
Autumn was sad as she said, “I understand. I thought that it would be a great time spending the two weeks with you instead of alone by myself.”
Icari sat on the motorcycle and put on the helmet. The sun started to peek in the east sky. She started
up the motorcycle as she replied, “Do not be sad, Autumn. I promise you that you will have my answer by the time that you land in Rio. You might be surprised by what I can do in such a short period of time.”
Icari pushed a button on her motorcycle as she drove off and disappeared from site. She pushed another button that caused an explosion behind her, and the building collapsed into dust.
Autumn blushed and said, “I believe you and look forward to your answer. Listen, I have to finish packing, eat dinner, and shower. Can I call you later?”
Icari smiled as she replied, “I understand, and you can call me whenever you like. I look forward to talking to you soon, Mademoiselle Autumn.”
Autumn said, “I look forward to talking to you soon too, Juliette. Bye for now.”
Icari said, “Bye for now.” There was a small click. Icari sighed before she continued. “Watcher, are you there?”
Watcher scoffed. “Yes, I am here. Are you done flirting with your girlfriend?” Watcher said annoyed.
Icari snapped back, “I wasn’t flirting with her, and she isn’t my girlfriend. Listen. When I get back to the safe house, I will be uploading the files that I uploaded from the Agents of Chaos mainframe. I need you to decipher the files to see if they were working for the Prospers and any other useful information.”
“Anything else?” Watcher asked.
Icari replied, “Yes, I need you to immediately hack into the system and book a flight for me from Harrisburg to Rio De Janeiro. I need a limousine to take myself and Autumn to the harbor, where a boat will ferry us to a beach home on Paqueta Island. We will be there for two weeks. Put everything under the name Juliette Trudeau.”
“Why should I?” Watcher asked abrasively.
Icari replied, “Well, you have two choices. Either I am out of your hair for two weeks, or I make your life a living hell for the next two weeks. Then, I still book it on my own. You choose.”
“Fine. Fine. It’s not like I care if you spend time with your girlfriend or not. Everything will be taken care of by the time you make it to the safe house and upload the files.” Watcher replied.
Icari snapped back, “For the last time, she is not my girlfriend! And thank you.”
“Yeah, yeah. Don’t mention it. It is kind of nice to see you happy once more. Have fun and
remember that we have a war to win.” Watcher said kindly.
Icari smiled and said, “Yeah, I won’t forget.”
An hour and a half later, Icari pulled into the safe house in Harrisburg. She pushed a button on her motorcycle and the garage door opened. Icari pushed the button, and it closed. She pushed another button, and they became visible once more. Icari took off her helmet and placed it on her motorcycle. She walked to a wall in the garage and revealed a secret panel. Icari inputted the code, and a secret staircase was revealed. She walked down the stairs as the wall closed behind her. A room lit up as she opened the door. The computer turned on and system was running. Icari approached the computer as she took the black disc out of her pocket. She put the disc on a reader. The lights flashed on and worked in reverse. Icari received the itinerary, confirmation for the rentals, and digital tickets. As the disc was uploaded to their mainframe, Icari walks to a closet marked for Juliette. She opened up the closet and pulled out two bags already packed for her for two weeks in a summer environment. Icari closed the door. When she was done, she walked over to check the disc and saw that it was fully uploaded. Icari grabbed the bags and walked up the stairs. When she got near the top, the computer shut down, door sealed closed, and the secret door into the garage opened. After Icari had passed, the door closed and sealed shut. Icari walked into a normal home and left the bags near the front door. She cooked lunch at the same time Autumn would call her. They talked for a few hours before Autumn headed to bed. Soon, Autumn and Icari headed to their perspective airports to start their journey to Rio. Five hours and forty-five minutes later, Juliette’s plan landed at the International Airport in Rio
De Janeiro. She grabbed her carry-on bag and went to get her check in luggage. Juliette headed for the main doors and walked out into a sunny midmorning day. The air was refreshing, and it was already setting up to be a warm day. Juliette had made sure to change her appearance before she left for the airport. Juliette looked around and saw a limousine. The driver was standing outside it. He was holding a sign with Juliette Trudeau written on it in big letters. She smiled and walked over to him. The driver eyed her as she approached.
Juliette said,” Olá, eu sou Juliette Trudeau.”
The driver lowered the sign. “Olá, eu estive esperando por você, Sra. Trudeau.” The driver replied.
Juliette smiled and asked, “Can I see your sign while you put in my bags in the trunk, please?”
The driver bowed. “As you wish, Sra. Trudeau. Your guest should arrive soon from Brussels.” The driver replied as he handed over the sign and a marker.
Juliette smiled as she took the sign and marker from the driver while she said, “Obrigado.”
“De nada, Sra. Trudeau.” The driver said as he placed Juliette’s luggage in the back.
He walked to where Juliette was and took the sign and marker from her. The driver opened the door for Juliette to get in. When she was seated, he closed the door and stood outside of the limousine. Thirty minutes later, Juliette’s heart began to race as she saw Autumn walk out of the airport with her luggage in tow. Autumn had put on her glasses and looked around. She froze when she looked towards the limousine. Autumn slowly walked over to the driver.
Autumn cautiously said, “Hi, I am Project Autumn. Are you looking for me?”
The driver bowed. “Yes, I have been expecting you, Sra. Autumn. Let me put your luggage in the trunk.” The driver replied.
Autumn thought, “I never would think that Project Chameleon would have a limo waiting for me at the airport.”
Autumn replied, “Umm… sure. Thank you.”
The driver opened the door for Autumn to get in. He closed the door after she was comfortably seated in the back of the limousine. Autumn watched the driver take her stuff to the back. She was startled, and her heartbeat faster when she heard the sound of a familiar voice from inside the limousine.
Juliette smiled and said, “Hello, Mademoiselle, Autumn.”
Autumn instinctively lunged at Juliette as she turned to face her and kissed her lips. She immediately realized what she had done from the shocked look on Juliette’s face and blushed as she moved away. Juliette smiled and took Autumn’s hands into her own.
Autumn said, “Hi, and I’m sorry Juliette. I don’t know what came over me. I just got so excited that you were here.” Autumn took a deep breath before she continued. “Wh-what are you doing here?”
Juliette replied, “It’s okay. I am happy to see you too. I told you that you would have my answer by the time that you had landed here. I thought that the best way for me to give you my answer was to be here in person to give it to you.”
They heard the sound of the trunk closing and saw the driver walk down the side of the limousine to the driver’s door. He opened it, got in, closed the door, and started the engine. He pulled away from the cub and headed towards the pier.
Autumn said, “I am really glad that you brought your answer to me. When did you get here? How long will you be able to stay here?”
Juliette squeezed Autumn’s hands and smiled as she replied, “So am I. I got here around two hours before you did. If it is alright with you, I plan on being here the entire two weeks that you are.”
Autumn smiled as she said, “Yes, yes. That would be perfect for me. But…where are we headed?”
Juliette winked as she replied, “It is a secret, and you will have to find out when we get there.”
The driver drove them through town as they talked in the back of the limousine. When they arrived at the pier, The driver parked the limousine and got out. He went to the side and opened the
door. Autumn and Juliette got out and looked around. They spotted a yacht ready to go as the driver took their luggage out of the trunk. Some men came over and grabbed their luggage, and they followed them onto the yacht as the limousine pulled away. Thirty minutes later the yacht pulled away from the pier and headed towards a small island. Autumn looked around excitedly as Juliette smiled and watched her reactions. Soon, they had docked at the island. Another limousine was waiting at the pier as they got off the yacht. The same two men carried their luggage off of the yacht, and the driver put the luggage in the trunk of the limousine after Autumn and Juliette got in. They drove them a little ways until they reached an office building. Juliette got out and checked in. She came back out with their keys. The driver drove them to the beach front rental home. As Autumn got out, she was amazed. She turned to face Juliette as the driver took their luggage out of the trunk.
Juliette smiled brightly as she said, “Surprise.”
Autumn was still shocked as she asked, “Are we staying here the entire time?
Juliette nodded as she replied, “Oui, this is the rental home that I had reserved for us the two weeks. Are you surprised?”
Autumn looked at home and back at Juliette. She blushed as she replied, “Very much so. I can’t believe that you would go through all of this trouble just for me. Thank you.”
Juliette smiled and said, “It was no trouble at all to see you. You’re very welcome. Shall we go inside?”
Autumn blushed and replied, “Yes, I would like that.”
They grabbed their luggage and headed to the front door. Juliette pulled out the key cards and handed one to Autumn. She swiped the key card reader. It beeped, turned green, and an audible click could be heard signaling that it had been unlocked. They headed inside and were at awe from how beautiful everything looked. They looked around and saw two large rooms, a kitchen, patio, living room, both rooms had a bathroom, a breakfast nook, pool, jacuzzi, grill, study, and everything that someone would need. They walked back to the bedrooms.
Juliette asked, “Which room would you like to take?”
Autumn looked away and replied, “Well…I was…thinking that…that we could share…the same room, if…if you don’t mind.”
Juliette smiled and replied, “I don’t mind. I would enjoy that very much.”
Autumn smiled and said, “I would like that too.”
They picked the largest room and took their stuff in there. They put everything away and decided to change into their swimsuits. They headed to the beach and swam for a while. Autumn and Juliette grew closer through the days. They spent every day together. On Valentine’s Day, they went swimming when the sun rose. Autumn and Juliette came back and feed each other chocolates and ate chocolates. They laughed and were having fun until Juliette remembered that soon Autumn would leave for the labyrinth to run the gauntlet and became sad. Autumn noticed this and became concerned.
Autumn was concerned as she asked, “What is wrong, Juliette? Why are you so sad?”
Juliette frowned as she replied, “I just remembered that you will be going away soon for the gauntlet
where they will team you up with a new partner. Then, there will be no room for me in your…”
Juliette was shocked as she looked up at Autumn who had put her finger on her lips.
Autumn smiled warmly as she said, “No one will take your place in my heart, Juliette. I don’t care who they pair me with, but you will be the only one for me. So, do not worry about that. I will always be only yours.”
Juliette smiled and lunged forward knocking Autumn over and the chocolates onto the floor. She kissed Autumn deeply. The day past and was the best Valentine’s Day Autumn ever had. She woke up the next morning to realize that Juliette wasn’t in bed with her. Autumn could hear Juliette’s voice carrying in from the patio. She decided to see what is going on. She was sleepy as she got up, stretched and yawned as she put on a robe. She walked to the patio as she rubbed her eyes.
Juliette said, “.... Yes I... I promise that...See you...I.., you.”
Autumn smiled when she saw Juliette watching the sun rise. She was in a robe and held a cup of coffee. Autumn walked over to Juliette and hugged her from behind. She caught the smell of the coffee, the morning air, the beach, and Juliette’s hair. Juliette smiled and giggled from Autumn’s warm embrace. She leaned back into her. Then, Juliette turned around to face Autumn and handed her the mug that she was holding as she leaned against the railing. Autumn sipped coffee and smiled.
Juliette said, “Good morning. Did you sleep well?”
Autumn smiled and nodded as she replied, “Good morning. I slept very well. I woke up, and you weren’t in bed. I heard you talking to someone. Is everything okay? Who were you talking to?”
Juliette took the mug from Autumn as she replied, “I am sorry to have worried you. I am usually back in bed before you wake up. Yes, everything is fine. I was talking to Dr. Hubert like I do every morning to make sure everything is okay back at home. You know that you could always just run away with me. I know a place where they will never find us. We could start a new life together.”
Autumn smiled warmly as she said, “I am glad everything is going well back home for you. I would like that, but you know that I can’t leave. We would have to look over our shoulders for the rest of our lives on the run.”
Juliette frowned, looked at the mug, and replied, “I know, and I wouldn’t want to live on the run either.” Juliette paused before she continued. “I just have a bad feeling about this. Please, stay safe.”
Autumn put her hands on Juliette’s as she replied, “I will be safe. There is nothing to worry about. The gauntlet is completely safe, because only training rounds are allowed to tally up scores. I will call you immediately after it is over to prove that nothing happened to me.”
Juliette looked into Autumns eyes and said, “I hope that you are right.”
The rest of the time flew by and soon they headed back to the airport for their flights. Autumn left first, and Juliette left next. Juliette landed in Harrisburg International Airport. Autumn landed at Brussels. They had a quick conversation as Icari made it to the safe house. After they hung up, Icari got a phone call from Watcher.
“Hey, Icari. I hope that you had fun. I went over the files that you sent me, but I couldn’t decode them. So, I…” Watcher started to say.
There was a brief pause before a monotone girl’s voice spoke. “Hi, mommy. We need to talk.” The girl said.

We are visiting Kauai in first week of July. 2 adults and 2 kids(Ages 3 and 6)
Day 1 - Flying from west coast. We will land around 1pm and check in to Kauai Shores. Visit Lydgate beach and Kamalani playground. Day 2 - Drive to Waimea canyon. Visit all the lookouts and then visit Poipu beach on way back. Day 3 - Daddy and 6 year old will go for mountain tubing adventure in morning. All 4 of us will then do Kauai shores plantation railway train ride at 2pm Day 4 - Drive to north shore and spend time there Day 5 - Fern Grotto river cruise in morning and rest of the day free Day 6 - Checkout and fly back
Is there any boat ride that we can do with such young kids ? Is there anything else that we should cover ? Would you recommend to attend Luau with kids ?

Coffee with Captain from dGenNetwork Twitter Spaces today featured Doodles CEO Julian Holguin
If anyone wants to listen back: https://twitter.com/i/spaces/1DXxyveZOwbKM
I've shared some of the Doodles related Q&A below:
Can you tell us a little bit about this Camp experience for those who missed the announcement?
Julian: So Camp and Doodles has been underway for a while. It's definitely been a concept that we've been kicking around since I started at the company and the whole idea was that if you can create an immersive retail experience that brings people into your world and kind of draft off of the success that Doodles had at SXSW and make it more permanent, you can really reach people in a meaningful way. It's why people go to Disneyland, Universal Studios etc. It's a big endeavor to launch a theme park. There are massive businesses that are built around actually standing up these theme parks but there's kind of a hole in the market for every weekend, almost everyday activities you can do with a family or with friends that bring consumers and fans and collectors closer to your experience in a way that's truly experiential. So Camp is a business that has been able to stand up a really incredible solution for that.
I actually discovered it with my family while I was living in Los Angeles. I brought my son to their Nike kids camp and I was blown away. You walk in, it's a specialty toy store, it's got all the viral kids toys and it's kind of like a modern day FAO Schwarz, it's really cool. Then they have this ticketed experience where you buy tickets to whatever the branded theme is, that time in L.A, it was Nike. You take the family through this magic door at the back of the store and it opens up into this 6000 square foot, crazy guided immersive experience where there's actors, they call them counselors that take you through this whole experience that's guided for your family and your kids and they're immersed in the world. It's play, it's fun and then at the end of it is this really cool gift shop experience where people can get a chance to take home the stuff that they just interacted with and some of the energy that they were just able to put into play.
Camp has a network of these stores across the country. They also have one in Atlanta, which just debuted with The Little Mermaid, they have one in New York, which debuted with Disney Encanto, they've done Paw Patrol, they have Mickey and Friends live in Dallas, so they have this whole network. We're opening a new store with them this summer that's Doodles. So we're going to be side by side with some of the best and most beloved IP in the world and bringing what so many people love about Doodles to life permanently. The idea is that we're going to be a specific location for around 3 to 6 months potentially a little bit longer and then that show is actually built to pack up and go on the road. So we'll move to a different one of their locations.
We're making a bunch of new products, our first actual kids merchandise. It's going to be integrated into the experience. The experience that you're going to see is brand new, completely built from the ground up. Anybody that's been to our live events know that we know how to do this and we really do know how to bring people into our world and this is another opportunity for us to also age down and reach a new demographic with kids, parents and kind of everybody in between so it's a really exciting time for us. We believe immersive retail is going to be a massive thing in the future. If yesterday's Apple event actually punctuated anything, it's this concept of mixed reality that is going to be prevalent in our life and the whole idea of immersive retail is to continually use digital product, live experiences to bring people closer to stories, to bring people closer to characters, to bring people actually into the universe that we're ultimately creating and we all know being in Web3 how that is core to the ethos, that's why all of us signed up. We want to feel like we're part of this, so we're really excited. Can't wait for everybody to see more.
Why is Camp the ideal partner versus doing this yourselves?
Julian: I think we do IRL as good as anybody in the world, not just anybody in Web3. I think the elevation that Doodles brought to the space when it comes to IRL after SXSW was a call to action to everybody in the space to kind of level up and you've seen a lot of people, based on what we did start to invest more in these live experiences and try and bring people closer to the actual IP. I think we've been leaders in that regard and we have no doubt that we would have been able to build a really special live experience if we had just done it from the ground up but it made a lot more sense knowing that this is not our core competency to actually partner with somebody to help operate a fully baked retail location. As much as camp is a business that we're completely leaning into, it's also a test for product market fit, one thing that they have is email subscriber lists, customers, real fans of their brand that seek out these kinds of experiences in the cities that they're in so there's already built in marketing value that we have by partnering with Camp, the infrastructure, they know how to operate a store from day to day.
They know the right amount of inventory to order, they know the right way to actually have these experiences flow when it comes to a three hour guided experience and they know how to get the most value for their customers and ultimately out of their customers. So it was a really good idea for us to actually partner with somebody before going all in and investing 100% of our own money into an experience like this and we truly think partnership is the way to learn as much as you possibly can and it's also not that different from the way that massive IP shows up at theme parks and such, there are theme park operators like Merlin Entertainment and what they do is license IP and then ultimately build theme parks around them. So there are very few people that actually stand up their own theme park businesses and actually bring their own live experiences to market. I do think it's something that we could probably own one day but the best idea short term was to do it with somebody that's a true expert in it and kind of shares a similar ethos that we do.
How do you plan to drive people to the Doodles experience vs something like Mickey that's also in Camp stores?
That's exactly why it made so much sense to actually partner with Camp because they have a built in audience and customer base. Right off the bat we're going to have thousands of people that are going to become aware of Doodles instantly just because we're partnering with Camp and going to have a location activated in a particular city. So that's number one. Number two is that that's not going to be enough, we want to try and actually integrate within that city and and the surrounding markets. So what we're going to be doing is a full fledged marketing campaign. We're going to be sponsoring local events, we're going to be working with local influencers, people that have kids, people that don't, we're going to be doing outdoor, we're going to be doing radio, we're going to be getting the message out there about Doodles, but not just about Doodles. The fact that there is this new incredible experience that's coming to market. New York, LA, Miami, Austin, Columbus, Ohio, a lot of these places have a lot of major entertainment things that come by but there's very few things that fill this gap. You can go to Six Flags, Disneyland, you can go to a tour that's coming through town like I take my kid to the Jurassic World tour and it's really cool but there's not many things that are IP driven that you can go to any weekend.
You can knock out three hours with your family, there's just a really big hole in that market in almost every single city. The fact the experience is going to be coming to the city that we're going to is a marketing opportunity within itself. So Doodles is going to draft off of that solution that this experience is actually providing to the market and I think everybody knows this that's been to our events, once you're in, once you experience it, you have a really big opportunity with a brand like Doodles to keep people interested in your ecosystem, to keep people interested in what you're doing. The other thing you kind of mentioned about our events where you see strollers and families around during the day and then at night it's a Diplo concert, we're going to be doing a similar kind of thing with daypart programing where there's going to be basically daytime programing for kids and families and then at night, not every single night but at night there's going to be more adult focused programing where the setting and the scene is a lot more for people that are over 21 and not really in that family kind of setting. So it's going to be pretty cool to see our ability to actually target multiple demographics and try and be a multi-generational brand.
You have mentioned that Doodles is like the Amex black card of the collection. How does that work related to the Doodles Camp experience?
Julian: We've been maintaining this. So essentially the Doodles OG collection, obviously there's provenance associated with it, it's the art that started it all, it's one of 10,000 Burnt Toast but it also comes with this contract that's going to give you the ultimate access in the entire ecosystem. Sometimes access means you're going to get entered for a raffle to be one of the only 300 people that get the Pharrell pack for free. Sometimes it's going to be access to a major live event that we're propping up at a big cultural moment and sometimes it's going to be something like Camp where you are going to get free entry, you are going to get merchandise credits, you are going to get concierge services, meaning when you show up, it's not going to be like somebody walking off the street, the store is going to be waiting for you, you're going to be treated like a true VIP because that's what people that hold the original collection are and we think that's a pretty special thing. We think people strive for that. We think people want to feel special, especially when they're investing money in collectibles and the things that we offer in our ecosystem so if you're traveling to come to this specific location, we want that experience to feel very special to you.
We don't want you to feel like just any normal consumer off the street. You're part of the Doodles universe, the same way that the characters that are being displayed in that experience are. So it's really special to us and really important to us that we live up to that in that our community. The people that are truly in the community every single day, engaging, building. There's a fictional universe of characters and then there's the real world lifestyle of Doodles, the real world lifestyle of Doodles we want to be as known and as much of a part of our story as the actual fictional universe and that's what we're trying to perpetuate with this idea of like white glove concierge service. I always think of it like concierge key with American Airlines or the Black Card with American Express or Club 33 with Disney, it doesn't mean every single thing that we do is going to be free but it means there's going to be a very, very special experience for OGs at every step of the way and this is just another iteration of that.
When you gave the presentation at NFTNYC about a year ago, you talked about immersive experiences, culture, music, is there anything that has changed or pivoted in strategy since that presentation?
Julian: I think a business like us you need to give yourselves agency to pivot as things unfold and as technology develops and I'd say that our vision has not changed at all but the way we get there maybe there are a couple changes but they wouldn't be noticeable to somebody looking from the outside in. I think the way that we think about on-chain loyalty, rewards and engagement and a hub like the stoodio being connected to every single consumer touchpoint, we've always had a vision for that because there's countless examples of major IP in the world that has fans and really loyal supporters that go out and see them at the movies, theme parks, buy merch, play games and the IP actually has no way of tracking all of that behavior. They have no idea who these people are, much less how to reward them for their support and for their loyalty. If you build from the ground up with that mindset, you're going to be able to create a much deeper relationship between you and your most loyal supporters, which is kind of what Web3 is about. So how do we create a brand that can do what any of these major IP operators do with an audience of millions, but we're doing it with thousands and then you build that traditional business model on top of it to create something truly exponential.
That is the vision, that's the game. I think the thing that most people don't understand is that brands today, it's not like you can just go build one tentpole and build a global IP off of that. If you're Disney you can, you can release Encanto, be working on it for five years and have all the distribution to make that a hit but it doesn't work that way for most people trying to build an IP. Most brands need to be present every day where consumers spend their time on social media, in live events, through merchandise, people spend their time in very fragmented ways these days, and attention is very difficult to maintain. So this whole concept of transmedia storytelling is really important and if you think about what GoldenWolf is, they're an animation and creative studio that specializes in advertising content, on digital content, on social content. So knowing that we are going to be a transmedia storytelling brand, meaning we're going to be present in many different areas and we're going to be creating content around all of the things that we do, whether it be Camp, brand partnerships that we have coming up, Doodles Records, anything with the product and the stoodio, new NFT collections etc. What could be a better asset internally than an Emmy nominated advertising and animation studio? We're going to be able to put high quality content out in a way that other people truly just can't keep up with.
I don't mean content for the sake of content. I truly mean high quality content. So GoldenWolf being in the mix is huge for us. Ingi is an incredible thought leader, always thinking about new ways to push technology forward. For us blockchain is obviously what made Doodles what it is and it's obviously what is most interesting to us and how digital ownership brings people closer to an IP but how can you use some other emerging technologies to actually create quicker time to market for animation so you can create more animations? How do you use it to create more immersive environments? Really thinking about new ways to push the envelope and at the end of the day, people connect with stories, people connect with characters, people love joyful entertainment and if we can make those people feel like they're part of our universe the same way that our main characters are, that's when you get something that I don't think truly exists in the world today and it's something we're really excited about so I'd say not a ton has changed, how we get there and the mechanism in which we deliver these incredible stories and bring people closer will always change. That's just kind of the nature of being in the world that we're in but I'd say we have as much or more conviction than when I started.
Did Apple's Vision Pro announcement yesterday strengthen your belief in the future of experiential and immersive experiences
Julian: Yeah. Everybody knows Burnt Toast for creating the characters but he's actually a really incredible product and thought leader in how to leverage technology to create more content. He's been beating this drum for a long time. Mixed reality. He really loves augmented reality specifically and I think what you saw last night was a major step in how this is ultimately going to evolve. That headset is going to get smaller and smaller. The computing power is going to get stronger and stronger. The price is going to get cheaper and cheaper. The technology is going to get more intuitive and anybody that's not thinking about that future is definitely going to get left behind. How long it takes to get to a point where that use case is truly at scale? Who knows? I think it happens faster these days than it ever has before. I think it's actually a really exciting time if you're a creator, especially if you're a creator in a world where you're trying to connect physical and digital. We couldn't be more bullish and we couldn't be more excited for the kind of things that we're actually going to be able to make with a truly great platform like that.
I think the metaverse is a term, it's not what's actually being created. It's thrown around so much and people talk about the metaverse like it's someplace we're going and not someplace that we kind of live in today. Everybody very carefully curates what they put on social media, younger generations care so much about the digital assets that they can acquire like Roblox and Fortnite, people care about what their Zoom looks like, everybody on this Twitter space has very carefully curated what their PFP looks like and what their Twitter feed looks like. We are very much living in a world that has bridges from digital and IRL and what the announcement was yesterday and what Disney is doing is just talking about a much more intuitive and deeper way to make that a reality and to create better experiences. If you looked at the visuals, imagine throwing on a headset and being able to watch a Disney movie like that or to watch a game on ESPN. I don't even think people can really feel the impact of how that's going to be. It's going to be incredible. It's going to be an entertainment experience that just does not exist today and until people can actually feel it, I think there's going to be a lot of speculation, but that showed a lot of promise, we were all pretty blown away watching that presentation.
I love that you've mentioned a couple times the prioritization of content and good content, is Doodles active on platforms outside of twitter or is that coming?
Julian: It's coming up. We are mostly active on Instagram and Twitter. We needed to actually get the GoldenWolf acquisition through and then ultimately integrate the company and the business into Doodles so that naturally just takes some time and what we didn't want to do was just rush to get content out there because it's something that you feel like you have to do. Quality takes time. A brand that's going to live forever and and be timeless takes time. It's not like technology where if you're first and you're quick, you get a leg up. People are always starving for new IP. People are always looking for new stories. People are always looking for new ways to actually connect and feel joy and escape and what we can't do is rush to put something out that doesn't truly mirror or represent the Doodles brand and the bar for quality that we have. Obviously we're going to have a TikTok channel, we're going to have more YouTube content. It's just taking a little bit of time as these things should. I don't want to give you like an exact date of when that stuff is going to happen, but it's all being developed as we speak in addition to the long form, whether that be television or film and then what are the characters names? What are the stories? What adventures do they go on? What is the universe like? You're going to start to see tidbits of that throughout the summer and into the end of the year.
I wasn't even thinking long form. Is that alpha?
Julian: You've definitely heard that before. Of course if your any major IP, you want to figure out a way to exploit that IP in new ways and film, television, longer form takes a longer time and it's something that we don't really feel the need to rush into because it's not like we have everything riding on Doodles being like a smash TV show or a major hit movie at the box office. If you think about the way brands operate today, evergreen social content, narrative storytelling, different kinds of physical and digital experiences, merchandise, true connection to your audience and your community every single day. That's what Doodles is really going to prioritize and in parallel to that, yes, how do we actually get like a bigger tentpole to market?
I think you were hinting to building out the lore of the collection, are there plans to roll out content around exactly what it is to be a holder of these collections?
Julian: That's a great question. I'd say that first and foremost, all the fictional universe and lore for what Doodles is building is going to emanate from our collections. So the characters are going to emanate from the original collection. Some of the fashion inspiration in our universe is going to emanate from Doodles2, it's going to be very clear to anybody that's been around for a while or anybody that knows Doodles that the world that's being built is being built around the NFT's and the community is going to have several ways to take part in that and then as far as actually marketing what it means to be an OG holder, there's going to be a ton of content. There already has been a lot of content if you look our marketing pages and some of the tweet threads, some of the animations that we've made to kind of take people through whatever experience we're promoting at the time but when it does come to the actual membership itself, that's something that we're going to continue to prioritize. There's going to be a lot of content made around that and it's something that we talk about internally every day.
If you look at another collection, DeGods. They seem to really be leaning into these seasons. What I mean by that is the content they create, they sort of build up to the utility for months
Julian: That's not entirely our strategy to speculate on what utility may or may not be, I would just say that what we found works for us is kind of just showing people, iterating and testing and we think that's a really good long term strategy for us, especially because we're in a position where we're able to do a lot right now because of the capital that we raised last year. I think the utility is going to get very clear and the ecosystem is going to become very clear soon. I think people are already starting to feel it with the launch of the stoodio, the Pharrell Pack, Pharrell himself becoming a Doodle in our universe, Camp and some of the other partnerships that we're getting ready to announce that are going to happen this summer and into the end of the year so I'd say that we want people to feel like more is coming, but we also don't want to over promise and have people have outsized expectations because I think a lot of projects fall victim to that.
We're also fans of what a lot of other people are doing and we study what other people are doing to try and take bits of that and see how they could fit our business. I think the thing that's really exciting about Web3 right now is that not everyone is doing things the same way. Specifically in the PFP collections, everybody is kind of establishing their own lane and doing really incredible work across the space and I'd say that should be an exciting thing because what works for one project won't necessarily work for the next. It's pretty cool that we're all collections, we're all NFT's, we're all Web3 but at the end of the day, the track that we're taking and the businesses that we're creating are actually really different. So I'd say that we look at these things, it's just figuring out when and why to implement them or activate them but I think mainly what you're saying is, how can you make sure that the utility isn't really going under the radar and it's something that we're championing as much as the big brand moments and that's something that is 100% a priority for us and making sure that the community feels and understands what it means to be a holder.
I love that these projects are taking different paths and while I think others will follow, I do think it's going to take a big brand like Doodles kind of chart that blueprint in a sense.
Julian: Yeah and others others have followed. When Jordan, Evan and Scott started the company, they were very clear that this was an IP that they were going to develop over time and making sure that the community was part of that IP. SXSW was kind of a statement that Doodles made. NFTNYC was a statement that Doodles made and you've seen a lot of projects actually try and do what we are doing. Everybody knows Doodles may not have been the best at talking about what we're doing but at the end of the day, I think no one's going to be able to deny that there's a really thriving ecosystem, company and community being built around this IP come the next few months when all that's about to release is going to release. It's a very exciting time to be a Doodle holder. I feel like Doodle holders are going to be very proud to represent the brand and be ambassadors for the brand and I think we're really proud that the community that has stuck around and truly engaged with us this entire way is going to feel very good about where we're going. It's an exciting time for Web3. I think you're going to see a lot of really interesting work. I've always said that last year was kind of the year of shipping promises and this year going into next year is really going to be the year that you actually start seeing all of us ship product and you're starting to see some really incredible work unfold and we're just happy that we still have a chance to do that.
Can we expect any other in real life activations whether it be Art Basel or otherwise this year or is it all focus on Camp?
Julian: Camp is going to be the main focus from an investment perspective, meaning most of what we have for live is going towards Camp and building that out as a true business, with that being said we love popping up at other IRL moments because it's a way to onboard new people into our ecosystem and also reward key community members. What we did at Something In The Water was we basically set up this 30 by 30 space. We called it Doodle Beach. There was a merch shop that promoted our collaboration with BBC Ice Cream and then there was another space where you could actually test out the Doodles2 product experience on screen and go into the stoodio, mess around a little bit, learn more about Doodles and what it is. We were able to onboard a lot of festival goers that really didn't know anything about the brand beforehand but we were able to break off 50 super VIP tickets with incredible access to the stage and raffle those off for Doodles community members. We're going to be doing that again at other moments this year. Exactly which ones, we're not prepared to say yet but that will always be a focus for us. What we wanted to do was create an activation that could be easily packed up and travel so we could take a similar thing from event to event versus trying to go completely all in on a SXSW or Art Basel, not to say that's not going to be something we do in the future, we're just trying to scale our live event footprint and our activity a little bit more.
Was there ever a discussion about creating permanent Doodle-branded locations, inspired by the success of Doodleputt, such as Doodles laser tag or Doodles go kart racing?
Julian: I think the thing that we wanted to kind of steer clear of is having any association for Doodles that was not specifically about Doodles, the characters and the stories. If the first time people are experiencing Doodles is through golf or laser tag or bowling you kind of run the risk of people thinking that's what it is. If you think about Mario, the characters, the stories, people were very familiar with what those were before Mario Kart or Mario Golf or Mario Tennis ever came out, I do think there's an opportunity for that in the future. I think people loved Doodleputt, but I think the strategy there was really more about how do you create something splashy and noteworthy at Art Basel that people were truly going to care about doing that was very social but we believe that Camp and the experience that we're creating there is a much better format for where we're going but the idea of Doodles popping up with other sorts of immersive experiences is definitely interesting and something we are actively working on what it looks like to bring other experiences to different markets around the world and it's going to continue to be a core strategy of ours. We're going to learn a lot with with what we do at Camp and we're going to use that data to continue to build out the ecosystem.
Have you considered creating a weekly series on platforms like YouTube, where kids can tune in to watch and engage with the brand on a regular basis, even though you mentioned that you're not pursuing a Doodles movie or animation?
Julian: To clarify, a movie, doodles animation, that's actually something we're actively working on. It's just there's no rush to get that out there. When it comes to YouTube, I'm a parent that utilized Cocomelon and Paw Patrol and all these different things on YouTube. So I totally get it. I think there is going to be YouTube content very soon, but there's also going to be TikTok and more Instagram content and there's just going to be a stronger throughline for what we're creating and why, you're going to start to see the story and some of the characters unfold. Not all at once. I'd say that the minute to two minute long videos is something that translates more of like a webcomic, animated series, physical book or social content? All of these things are are being developed right now. So I'd say what you're hoping for is exactly the work that GoldenWolf is doing. Whatever format it comes in I'm not going to guarantee on the spaces today but you can just rest assured knowing that this is 100% top of mind and as big of a priority as anything in the company, probably the biggest priority in the company.
You were referencing OG holders, are these benefits for those that held for a while or just a Doodle holder in general?
Julian: We do believe that if you own an original Doodle, you're entitled to the kind of the standard benefits that we're building around membership in owning that Doodle but we also are working through ways to make sure people that have stuck around and engaged are rewarded. If you look at the Pharrell pack, the criteria to actually enter the raffle, you had to have had an OG Doodle, you had to have dooplicated a Doodle, opened a Genesis Box and you had to have signed up for an account with the stoodio. If you did not have an OG Doodle, you were not eligible for that raffle but if you didn't do all the other things that kind of engaged members of the community do, you also couldn't be part of that raffle. So I think you're going to start to see things where all Doodles holders get an opportunity for something. Only Doodles holders that have taken certain actions are going to get an opportunity for something and kind of everything in between.
How do you plan to onboard individuals from the immersive camp experience into the Web3 space?
Julian: I'd say that's exactly what we're building and our vision. How do you build a on-chain collectible ecosystem that connects to every single consumer touchpoint? We kind of look at Doodles as a funnel where most people are going to come into contact with us through engaging with content on social media, showing up at experiences like Camp, seeing Adidas or Pharrell post about Doodles etc All of a sudden those people are aware of Doodles and we have an NFT product in the stoodio that feels a lot more like skinning a character in Fortnite or buying something in Roblox where you're basically outfitting your avatar in whatever activation you saw. So like Adidas, Pharrell, you can now buy the stuff that they were representing, build your doodle in that likeness. There's no friction to get in, signing up for a wallet and getting into the stoodio is as easy as setting up an Instagram or Spotify account. It's not even just about it being easy, it's familiar. Getting a metamask, holding a seed phrase, buying crypto, that stuff is not familiar and it scares most people.
We know the technology is ultimately going to get better but in the meantime we want a meaningful way to actually onboard people into this hub that we've built in the stoodio. So if you can create media, experiences, attention you can actually bring them in to your hub, to your collectible ecosystem through a really easy to use product. A product they care about that helps them represent themselves, they get to be a Doodle the same way that our main characters are going to get to be a Doodle. Now they're in, they're going to learn more about blockchain, they're going to learn more about Web3 but they were able to get out of their own way because the technology was invisible. They weren't scared of NFT's and crypto the first time they integrated with Doodles because they had no idea that's what it was. That's a really interesting opportunity because right now for a lot of people it's kind of the boogeyman and if you can help people understand it isn't about the headlines that you read, it's about a better technology stack to create a more meaningful relationship between supporters, collectors, community and the IP itself.
None of the rest is going to matter to those people. Our goal is ultimately to have the entire collectible ecosystem connect to everywhere that people are experiencing the brand. You're going to see that with Camp. You've seen that at all of our live events, if you were a Doodle holder at Art Basel, at Doodleputt, you were able to flash your badge at different activation pillars and it would make a noise and you would get access to different shots, a door would open up and you could actually hit it through the secret passageway and give you an edge over somebody that didn't have a Doodle, you were able to display your Doodle in certain areas in the actual experience itself. So we kind of look at it like it's in real life, it's digital, everything's connected. That is what we're building right now and we really want to make sure that you're giving people as little friction as possible that don't know much about us or the space as a whole.
Beyond GoldenWolf is Doodles looking at other acquisitions in the space?
Julian: We're always looking at acquisitions. There's always an opportunity to bring companies in that are either struggling or thriving but by bringing them together, you create an exponential effect. Any time we look at an acquisition, it's always how can we create one plus one equals three.. GoldenWolf is not just about ingesting a really great creative team. It's how can we reinvent their company to create a much better version of GoldenWolf while at the same time creating a new world for the development of Doodles IP. So I'd say that to the extent that any Web3 IP, any underlying infrastructure is interesting, we're definitely all in on on those ideas. We brought in all the engineering and product resources from a from another Web3 company that was struggling earlier this year. It wasn't publicized or anything but it's always something that we're vetting and looking at. I'd also say joint ventures and partnerships, we want to be vertically integrated and own the relationship with our community as much as we possibly can but that's not to say that we're going to be experts in every single area we want to operate in so partnership and joint ventures and trying to scale businesses together is always something that's top of mind for us so yes, absolutely. We're always looking at that.
What does Doodles look like in two years?
Julian: I think in the context of Doodles. Doodles is a lifestyle brand that people engage with and are a part of every day. People use it as their PFP, people buy the merch, they communicate with each other, you actually build more content off of the IP, people are starting businesses based off of the IP. Doodles is very real and present in our everyday life and the idea that there are community members where as the brand scales, those people, their interests in the company or the brand scale as well. You're running that parallel to a fictional universe of characters, who is our Buzz Lightyear? Who is our Woody? The fact that there are community members that will be known in the community and the story of those community members just as much as who our main characters are I think is really special because then you could take a fictional universe and a lifestyle brand and have them crash into each other at times.
If you look at the end card for the last trailer we did promoting the Pharrell Pack and Stoodio, it was really cool to see because you saw Pharrell as a Doodle. He's a real person in the real world, but he is now a character in the Doodles universe the same way Lady Gaga and The Weeknd have done things like that with The Simpsons. They're real people but they're in this fictional universe. You saw our main character, the mascot and you also saw a bunch of characters that you might not know, it could be someone from North Dakota or Hong Kong or Tokyo or Miami and the whole point is that they're living in this same universe together. When I think about IP developed from the ground up in Web3, especially when it comes to what Doodles is doing, that concept of digital identity delivered through a brand and the community being as much a part of our universe as the fictional characters that are ultimately going to scale to millions. That is what I think is really interesting about what we're building here and that's why I think the the notion of building a business with your core people is so special and something that doesn't really exist in in the world of IP today.
Can crossovers between real-life and digital formats create a compelling and unique experience?
Julian: If you think about your relationship with Mickey Mouse, you watch the shows, maybe you go to the movies. I don't think he's really at the box office anymore but you buy the t-shirt, maybe there's some games, you go to Disneyland. It's really great but there are going to be people in our community that are like Mickey Mouse, right? Like people.
Look at Doodlien, the holographic alien. He minted it. He's turned down massive offers. He is one of the biggest champions of the brand and if you're in Doodles, you know who Doodlien is. That's all part of the of the story of Doodles. People aren't just falling in love with the characters and the stories. They're also falling in love with the process and how it all came together because they feel truly invested in it. That's really special and and I think that's going to be the thing that really, really separates Web3 from a lot of the other IP out there.
I think the main thing I'll sign off with is, Doodles is doing exactly what we said we would be doing at NFTNYC last year. It takes a while to build businesses that truly matter and to build brands and characters and stories that truly matter and then to bring a community closer to that entire experience. I think people are going to be really proud to see what's coming next but very excited to see all the positive reaction and engagement we've had on the timeline recently so appreciate the time today, guys, and we'll talk again soon.

I am trying to archive every game manual scan from the Master System, Genesis, NES, Super Nes, and N64.
I had no problem finding every North American manual for every system except the Genesis. Weird. There are over 100 North American missing manuals that do not exist online as far as I can tell.
My plan is to clean them up when needed by cropping and removing ugly watermarks. I will then post the sets.
Does anyone have any of these games already scanned or if possible would you be able to scan your originals and send them to me?
Chavez II Demolition Man FIFA Soccer 97 Foreman For Real Frank Thomas Big Hurt Baseball Fun 'N' Games Gadget Twins Generations Lost Genghis Khan II Great Waldo Search, The Hardball '94 Hit the Ice Hook Head-On Soccer Indiana Jones and the Last Crusade IMG International Tour Tennis Jack Nicklaus Power Challenge Golf Jammit Jennifer Capriati Tennis Jeopardy! Sports Edition Jerry Glanville's Pigskin Footbrawl Kawasaki Superbike Challenge Krusty's Super Fun House Lemmings Leathal Enforcers Liberty or Death Magic School Bus, The Marko Mary Shelly's Frankenstein Mickey's Ultimate Challenge Micro Machines Mighty Morphin Power Rangers - The Movie Minnesota Fats - Pool legend Muhammad Ali Heavyweight Boxing Mystic Defender NBA All-Star Challenge NBA Live 98 NCAA Football NFL 95 NHL 97 NHL 98 Nigel Mansell's World Championship Racing No Escape Normy's Beach Babe-O-Rama Outlander Pac-Mania (Using Mega Drive Version) Paperboy (Using Mega Drive Version) Pele Pele II Pete Sampras Tennis Powerball Predator 2 Pro Quarterback RBI Baseball 4 Race Drivin' Revolution X Roadblasters Rock N' Roll Racing Rolo to the Rescue Romance of the Three Kingdoms II Rugby World Cup 95 Saturday Night Slammasters Sesame Street - Counting Cafe Shanghai II Skeleton Krew Socket Sonic 3D Blas Speedball 2 - Brutal Deluxe Spider-Man (Acclaim) Spot Goes to Hollwood Super High Impact Super Hydlide (Using Mega Drive Version) Super Volleyball Tecmo Super Bowl II Tecmo Super Hockey Tecmo Super NBA Basketball Tecmo World Cup Thunder Fox TNN Bass Tournament of Champions Top Gear 2 Toxic Crusaders Toys - Let the Toy Wars Begin! Triple Play - Gold Edition Trouble Shooter Troy Aikman NFL Football Ultimate Qix Uncharted Waters Venom - Spider-Man - Seperation Anxiety Wardner Warlock Wayne Gretzky and the NHLPA All-Stars Wayne's World Wimbledon's Championship Tennis Wiz 'N' Liz World Cup USA 94 World Series Baseball 98 WWF Raw WWF Super WreslteMania X-Perts Zany Golf Zero the Kamikaze Squirrel

Hi Friends,
I've had my '21 Sport for about a year and a half, and we're planning to drive it from Louisiana to North Carolina in July for a vacation with my extended family. Usually my wife's Honda Pilot would be our road trip car (it's got a lot more creature comforts and gets better mileage on the long drives), but with the opportunity to drive on the beach in the Outer Banks, we couldn't pass up the choice to take the Jeep!
That said - it's about 2,000 miles round-trip (with two young kids in the backseat), so I'm curious - what are your favorite quality-of-life upgrades you've done to make your road trips a little more comfortable? For reference, I've got about as base of a Sport as it gets (three pedals, soft top, etc - only add on was the rear LSD) and the only real "upgrade" I've done so far is a bedliner and a Bulletpoint phone mount.
Looking forward to seeing what y'all suggest - appreciate ya!

Kissing is an art form. Let's create a masterpiece! We'll start slowly, molding our creation with care, building to a crescendo and a finish worthy of the gold medal. Message me!

I am packing right now for my vacation, A few of us are leaving Friday to go to Myrtle Beach for 2 weeks.