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5. Template Contracts, Sales Scripts, Agreements & More
   

The lessons in Iman Gadzhi - Agency Navigator will teach you how to:
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Whatsapp/Telegram: +44 759 388 2116
Reddit DM to u/RequestCourseAccess
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As the title says. I've been looking to upgrade my VR setup. I've got a pre-order for the Crystal, but I figure it'll ship in a year at this rate of empty "3 months out, 3 months out" promises/claims from the staff and CEO.
I see it's not available on their site or a few other resellers. However, it just popped up as "in stock" on Amazon and says it's shipping "in about 1-2 months". Is it just completely sold out with no more inventory being made? Did they stop making it because of the upcoming Crystal? A couple websites have now listed it as "EOL - Item has reached End of Life". The outlet doesn't have any newer DMAS models for sale so that's not an option.
I'm in the U.S.

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Let’s say, hypothetically (Ben Shapiro moment) that you lived in one of two American states which outright banned the sale and purchase, and even the possession of spores which would one day sprout psilocybin shcroomies (Georgia, Idaho); what is actually to stop you from going onto a website and buying a spore kit?
Since years ago I always assumed this was off limits but now I see things more realistically, which is, how the fuck are they gonna know? Does anyone have experiences from which they can provide some insight into this for me? Have I just been a giant pussy? Can I really just order this shit to my residence and grow some magical mushramis?

EDEN HORSE Website launched!
Are you ready to start your journey along with 1st Generation Dam NFT public sale coming soon?
★EDEN HORSE Website-> https://edenhorse.net
★EDEN HORSE Discord: https://discord.com/invite/kch7PqDTAq
①EDEN HORSE Project
EDEN HORSE is an NFT crypto horse racing project that based on real racehorse.
②EDEN HORSE Roadmap
📷
Starting with VIP Pre-sale of 300 1st Generation Dam NFTs (3 families) for Eden Loop Holders,
the total distribution volume in year 2023 will be 1200 1st Generation Dam NFTs (12 families) around end of March.
1200 2nd Generation Racehorse NFT, derived from the 1st Generation Dam NFT and breedin determined by 1st Generation Dam NFT family's DAO system will be on sale from mid-April.
Pony can be acquired via in-game payments and events. Pony is a game asset, not an NFT.
GOG NFT, acquired via Discord event, will be minted along with the 1st Generation Dam NFT.
Our Discord Server has been launched on February 6, and our fam (ELT holders, players, families) will decide which sire and which racehorse to race, League upgrade tournament etc.
③EDEN HORSE Concept
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The tournament settings of EDEN HORSE can be modified in real time depending on the player's choice.
There are 3 types of surface and weather, 4 types of stadiums to be selected.
✅ Surface: dirt, digital, and grass
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✅ Distance: 1200m, 1400m, 1600m, and 1800m (according to each tendency of racehorse)
The combination of surface, weather and distance will create a variety of tournament settings,
bringing players unpredictable experience and fun.
📷
Pre-league, off, G3, G2, and G1 will be upgraded and demoted through each league.
Through this level system, each racehorse can participate in the leagues,
and prize money will also be determined depending on the player's betting.
Players may participate in each league.
📷
A total of 16 racehorses (16 players) will race in EDEN HORSE.
Racing will be conducted in real time and by reservation matching,
and the stadium will be determined through the DAO system.
The player will earn reward for predicting and betting on the result of the race,
and the racehorse owners will receive prize money for the race.
1st Generation Dam receives the prize money of the racehorse through NFT license.
Racehorse owners can receive reward based on the in-game tier system through various characters (jockeys).
④User Flowchart
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Based on the virtuous cycle structure of ELT Utility Token, each user involved in the ecosystem will receive fair payout according to the level of involvement. Regular players bet on horse racing tournaments by purchasing tickets with ELT and earn dividends. NFT racehorse owners or horse owners can participate in the race, as well as engage in various economic activities in their families. In other words, the player and the horse owners coexist.
The stallion owners may breed with other dams and new generation foal will be born, and will be rewarded with license fee (in ELT) for breeding. Mare NFT owners will be rewarded payout based on racehorse production sales and racing.
EDEN HORSE is different from the other horse racing projects as we DAO based, tournament settings (weather, track surface etc) will be decided by our fam
Pre-tournament using Pony racehorse will be held in the PRE-OFF season, and not usual racehorse, is designed specifically for horse racing beginners or Crypto Newbies.
Users may purchase pari-mutuel tickets using ETH or ELT, and for other assets using EELT (Eden Loop Utility Token) or pari-mutuel tickets. EELT is a utility token used on the Eden Loop platform, and EDEN HORSE tournaments will be displayed exactly like the actual ones, hence anyone can easily enjoy and watch actual horse racing tournaments and stand a chance to be level-up to race in OFF season depending on their efforts.

Contact me to get Iman Gadzhi - Agency Navigator by chatting me on +44 759 388 2116 on Telegram/Whatsapp.
I have Iman Gadzhi - Agency Navigator.
Iman Gadzhi - Agency Navigator course is one of the best products on how to start a marketing agency.
Iman Gadzhi - Agency Navigator includes over 50 hours of step-by-step training covering EVERY aspect of building an agency from scratch. This is almost a plug & play system with enough success stories to back it up! Signing clients, running Facebook ads, building out your team, on-boarding clients, invoicing, sales... this course has everything covered for you.
The topics inside Iman Gadzhi - Agency Navigator course include:

1. Agency Navigator course Core Curriculum
   
2. Custom E-Learning Platform For Agency Owners
   
3. Financial Planner, Revenue Calculator, Outreach Tracker & More Tools
   
4. Websites Templates, Funnels, Ads & More
   
5. Template Contracts, Sales Scripts, Agreements & More
   

The lessons in Iman Gadzhi - Agency Navigator will teach you how to:
- Starting Your Agency
- Finding Leads
- Signing Clients
- Getting Paid
- Onboarding Clients
- Managing Client Communication...
...and much, much more!
To get Iman Gadzhi - Agency Navigator contact me on:
Whatsapp/Telegram: +44 759 388 2116
Reddit DM to u/RequestCourseAccess
Email: silverlakestore[@]yandex.com (remove the brackets)

​
The Vikings - 1958
​
The Vikings is a 1958 epic semi historical/romance movie directed by Richard Fleischer (the son of the great american animatoinnovator and early cartoon producer Max Fleischer, responsible for the creations of Popeye the Sailor man, Betty Boop and many more), who after having spent years in the B movie industry, was now riding high on the success of his Walt Disney produced 1954 adaption of the classic Jules Verne novel "20,000 leagues under the sea" (also starring Kirk Douglas) when he decided to take on the helms of this larger scale and more adult oriendted epic full of love, lust and bloodshed all set in the Viking Age of England and Scandinavia.
With the starring role of this picture going to the mammoth of acting that was Kirk Douglas (although before the more well known "Spartacus" from 1961, this is after he had played the part of Perseus in the 1956 "Ulysseus" movie, so he was already on top), fresh off his hot streak with his new sidekick of a director from "20,000" (Douglas personally hired Fleishcer for this, being that it was his own production company behind the financing). He is non-casually joined by the all time (and/or old time) Hollywood couple Tony Curtis and Janet Leigh (progenitors of the now Scream Queen of old, not to mention still world class beauty, Jamie-Lee Curtis) making this their fifth out of eleven movies together, as well as a big old bowl of Ernest Borgnine dumped on top, having already solidified himself on the big screen as both a well known character actor and a main star. Now, when a movie can boast about having such a combination of high quality talent as this, you know it's bound to be great (although, there are exceptions).
The prologue title sequence of this movie alone is worth note, giving us the audience the pleasure of hearing the stern but soothing (if that makes any sense) voice of the great Orson Welles as he explains to us the whos, whats, whens, and why's of the viking expansions and invasions into the British Isles, as well as the political landscape of England itself at this time in history. This is done as we're shown a bunch of spectacuclar tapestry/parchment paper drawings of Vikings battling against Englishmen, complete with a more than perfectly passionate orchestral theme that invokes the thought of the King Arthur tales of yore, all coming together to add a real sense of authenticity to this epic that we've yet to even see begin...which it does with a bang.
Or the swipe of a sword to be more exact, as the viking leader Ragnar (Borgnine) and his band of warriors fall down upon the camp of the English King Edwin of Northumbria. The two leaders enter into a private duel in the King's tent, with Ragnar slaying his foe and further forcing himself down upon the deadman's wife, Queen Enid, ultimately and unknowingly impregnanting her before disappearing back into the Northlands. Knowing that the child is that of Ragnar's, but will still be seen as a threat to the new King Aella (Frank Thring), Enid gives birth to the child whom she names Eric, in secret and finally sends him away to Italy with her most confident of priests, placing the hilt stone of the King's rightful sword on a rope around his next to later one day be indentified as true heir to the throne of Northumbria.
Years later at the court of King Aella, we come to meet princess Morgana of Wales (Janet Leigh), as her Father pledges her to Aella as a token of alliance between their two kingdoms. King Echbert of Wessex (James Donald) is then brought up on charges of aiding the Vikings in their raids on England's kingdom's in order to protect his own lands, and is thrown into the dungeons to die. We learn that the charges are true when Echbert escapes from Northumbria and finds refuge with the Viking leader Ragnar aboard his longship. The vikings travel back to Scandinavia with Echbert and his promises to continue providing them with coastline and river maps for further raid and plunder.
The incredbily wide shot scenes of the long ships coming into port in the fords of Norway are truly spectacular (clearly being filmed on location), elevated by the realistic built sets that make up the Viking and village (not to mention the ships themselves), as well as the dozens of costumes and hairstyles worn by the extras that are showcased throughout (and a really awesome Viking horn blower welcoming the warriors back home each time, echoing the fantastic sounding orchestral theme of the movie yet again). Also, we now get some of that real over the top barbarian type behaviour being portrayed by Ainar (Douglas), son of Rangar, as we, the mostly uneducated in history average film-goer, would expect out of any and all vikings on screen (it is pretty awesome though); complete with beer guzzling, barell smashing, deranged angry tones, and wishes for barrels of blood to guzzle down instead of that of beer.
Ainar hates all Englishmen, but agrees to his Father and Chieftain's demands to keep after Echbert and see that he wants for nothing. One day while breaking in their hunting hawks, Ainar starts up a confrontation with a slave named Eric (Tony Curtis), the unknowing son of Ragnar, subsequent half brother of Ainar, and true King of Northumbria, who had been abducted from his ship en route to Italy all those years ago. Eric then sicks his own hawk that he's recently found onto his oppressor, leaving Ainar with only one good eye, and himself now with a guaranteed death sentence.
At the feasting hall however, a volva woman steps in against Ragnar's judgement of death, claiming that the gods do not wish for Eric to die by any man's hand, to which Ragnar outsmarts and has Eric taken instead to a rock pool off the coast at high tide to await an eventual death from drowning. Echbert though finds the stone from around Eric's neck and, realizing who he is, goes down to the rock pool to save him and claim him as his own slave in order to keep him safe from Ainar. We also get some more awesome over the top barbarian type behavior, now complete with ass smacking, random kissing orgys, more beer guzzling and axes being thrown at a viking's wife's hair braids to judge wether she's been faithful or not (this movie's about as toxic male chauvinist as it gets, but still... really awesome).
Echbert eventually finishes his maps for the Vikings, as well giving them the idea to abduct and ransom Princess Morgana before her marriage to Aella, with Ainar carrying out the task and giving us a pretty decent battle at sea in the process. Ainar though, now falls madly in love with Morgana and wishes to claim her as his own. When back at the hall once again, we get even more over the top barbarian behavior, beer guzzling, rape jokes, etc, etc, (what do you want from them?, they're Vikings), all this before Ragnar finally concedes to his son's wants and needs, allowing him to claim Morgana as his own. But when Ainar tries to force himself upon her, Eric appears from behind and knocks him out, bringing Morgana to escape with him on a boat to England.
A really-rad boat chase scene ensues through the fog filled fjords, culminating in the collision of both Ragnar and Ainar's boats into one another, sending half of the Vikings to their deaths. All but Ragnar that is, who's saved and pulled onto Eric's boat, heading straight for the King of Northumbria. Ainar swears revenge against Eric, while the two escapees fall madly in love en-route to England.
At the court of King Aella, Eric hands over Ragnar then asks that Morgana be relieved of her pledge of marriage, to which she agrees with. The King demands that she take more time to reflect with her priest, then forces Eric to try to take part in the execution of Ragnar by pushing him into a rabid wolf pit. Eric refuses by cutting Ragnar's bonds and giving him a sword, so that he may die a warrior's death and be aloud to enter Valhalla, giving us an extremely climactic ending of Ernest Borgnine's character in this tale as he raises his arms and voice to summon Odin the All-Father, before jumping to his death in the wolf pit, sword in hand and smile on his face (man Vikings were badass!).
Eric has his hand chopped off as punishment and is set adrift into the sea, but not before the priest -and Morgana find the King's "Pummel-stone" amongst Eric's belongings, coming to the realization that he is the true heir of Northumbria. Morgana then runs in the room just in time to see Eric's amputation, letting out a horrific scream at the sight of it (she wasn't called America's first "Scream Queen" for nothing folks. So this is where Jamie-Lee gets it from eh).
Back in Scandinavia, Ainar is now King of the Vikings, but can't seem to raise an army to retrieve Morgana, until Eric comes back and tells them of Ragnar's death. The two (still unknowing) half brothers now team up to defeat the tyrant King Aella, to both gain revenge for Ragnar and to rescue Morgana, leading the "Great Heathen Army" across the sea to England (in the year of our lord 865 for those of you history buffs).
Between the ships leaving of Scandinavia, and the army's landing and setting up of their assault on Northumbria, you really come to ask yourself as to why film-goers are NEVER treated to such a large scale production as this anymore (well, at least not since The Lord of The Rings as I recall). The amount of extras, costume pieces and props required for this must have been incredible, but all completely necessary in the creation of a full on believable historic setting such as this.
So the Vikings land and lay siege unto Aella's stronghold, battering rams, catapults, axes, spears, swords, the works (not to mention Kirk Douglas scaling the Castle's front door using only axes for leverage. Again, you just don't see stuff like this anymore). Ainar cuts his way through to Morgana's room, but upon realizing that she loves Eric, and that Eric is also a son of Ragnar, he takes her to confront his half brother and fight for their prize.
Eric meets Ainar at the top of the castle and the two enter into an extremely well coordinated battle of the blades, until Ainar breaks Eric's sword that is. But Eric seizes a moment of hesitation that befalls Ainar, and stabs his half brother in the gut with the broken down blade of his sword. Ainar then drops his sword, but Eric picks it up and gives it back to him, again allowing for a true Viking death. He uses the last of his strength in a final roar to summon up Odin, then Ainar is no more. Eric and Morgana embrace each other with love bringing us to the end of this movie, but not before treating the audience to an authentic Viking cremation funeral for Ainar, in which he is cast off to see in a ship and flaming arrows sent flying to the mass. We watch the ship and Ainar's body burn as the credits to "The Vikings" comes up once more, leading us into the ending credits with more authentic looking parchment scroll drawings of the Vikings battling against Englishmen, and finally coming together as one (accompanied again by the awe inspiring orchestral themes of yore every step of the way).
To sum it all up, "The Vikings" (1958) is literally THE - BEST Viking movie that's ever been made. Full of high quality A-list stars (to which I'd say is one of both Kirk's and Tony's coolest characters ever portrayed on screen), and a great group of secondary character actors like James Donald, Frank Thring, Eileen Way and many more. The story is well put together by screenwriters Calder Willingham and Dale Wiserman (based on a novel by Edison Marshall), with the underlying theme being the coming together of two peoples, as well as giving us a pretty cool backstory for a very real and historic time in Northwestern Europe. The wide scale shots and surrounding sceneries caught by DP Jack Cardiff are truly amazing, joined by epic scale (and pretty damn authentic) sets-props-hairstyles and makeups, very well coordinated swordfights and stunts, and lets not forget the awe inspiring orchestral theme of yore laid down by composer Mario Nascimbene and conductor Franco Ferrara. All this is brought together perfectly by director Max Fleischer in what was defenitely the largest scale movie of his career. I would recommend this movie not only to fans of retro cinema, but to anyone who loves epic scale warrior movies, as well as to general ancient world history buffs.
And that's all she wrote folks. Thanks for reading.
Ryan D. Hurley