I mean, I could understand Tenacious D or Afroman, but Melanie Martinez not saying she’s a bad artist she’s one of my favorite, but that’s one thing I did not expect to happen. My favorite time is song is puddin Tain. But anyway how the because I like very bass heavy stuff rush,Primus anything by the colonial you name it as long as it’s bass heavy it love it but I also like alternative stuff so that’s probably why

Training wheels number one and a Primus song number four usually Primus would be 1 2 3 and 4 idk how it happend but it’s cool I do love Melanie martenez don’t be afraid to comment

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I don't know where to start. Maybe by just telling you that I love, LOVE this book. I brought deep dive synopsis if you want to get the general idea of what this is about but you don't have time to read the book.
​
May's book pick
BOOK: I’ll give you the sun by Jandy Nelson
PITCH: https://www.reddit.com/GMMTV/comments/13b5l2h/book_club_may_book_pick/
TW: Sexual assault, character death, mentions of drug abuse, under-age drinking.
Characters:
Noah Sweetwine: introvert, is close to his mother, his passion is painting. Twin brother to Jude.
Jude Sweetwine: extrovert, is close to his father, clashes with her mother, is more inclined to sculpting than any other art form. Twin sister to Noah.
Brian Connelly: one year older than Noah, has a scholarship playing baseball, likes to collect meteorites, only comes to the Cove during school breaks.
Oscar: British, photographer and model, has scars on his face, tattoos and heterochromia. Three or four years older than the twins.
Dianna Sweetwine: Jude and Noah’s mom, she writes for an art magazine. Free spirited.
Benjamin Sweetwine: Jude and Noah’s dad, he’s a doctor.
Grandma Sweetwine: Benjamin’s mother. She’s dead.
Guillermo García: sculptor, was once interviewed by Dianna for her magazine. He’s considered a Rockstar among his peers.
Zephyr: bullies Noah in highschool, likes Jude.
Fry: friend of Zephyr’s, also bullies Noah.
Heather: friend of Noah, has a crush on him
Sandy: Jude’s teacher at CSA (California School of the Arts)
The Cove: where Noah and Jude live.
CSA: California School of the Arts, prestigious art school. Noah dreams to attend here.
​
Plot summary from Super summary:
https://www.supersummary.com/ill-give-you-the-sun/summary/
The story opens as Noah is being chased by two older neighborhood boys who regularly bully him. He manages to escape and make his way home. At dinner, Dianna, his mother, announces that she has a message from his dead grandmother, Grandma Sweetwine. She thinks that Noah and his twin sister Jude should apply to California School of the Arts. Noah is thrilled, though Jude and Benjamin, their father, are not. Dianna and Benjamin argue as the twins discuss Grandma’s message in the adjoining room. Noah tries to cheer her up, suggesting that Grandma thought of CSA because of the beautiful sand sculptures of flying women that Jude has been making down at the beach. In preparation for the CSA application, Dianna begins to take the twins to art museums. She announces a drawing contest between the two, but is so awed by Noah’s work, she calls off the contest even before looking at Jude’s art. Jealous of Noah’s talent and the attention it draws from their mother, Jude’s relationship with Noah begins to sour. She stops going to museums and begins to hang out at the beach instead. Noah believes that if Dianna ever saw Jude’s sand sculptures, everything would change; although he has taken pictures of Jude’s sculptures, he does not show them to anyone.
Over the summer, Noah begins to visit the CSA campus to watch a live drawing class conducted there. During one of the sessions, the model, Oscar, catches Noah practicing sketches outside the window of the class. Oscar is dismissed later that session for being under the influence and he stops modeling at CSA. When Jude sees Noah’s drawing of Oscar, she is so taken by it, that she trades Noah the sun, stars, trees, and the ocean in exchange for it, as part of a game they have played since childhood in which they divvy up the universe.
Noah also meets and befriends Brian, a new boy who has moved in next door. Brian is the star pitcher on his boarding school team and is also deeply interested in science and astronomy. Noah is immediately attracted to him, and the boys begin taking rock collecting walks together. Brian becomes popular with the neighborhood girls, and for the first time in Noah’s life, he is cool by association. Noah blows off Jude when she attempts to reconcile with him and starts spending all his time with Brian and others. Jude is furious at Noah for stealing her friends, and at a party, she manipulates a game of Seven Minutes in Heaven so that she and Brian go into the closet together. A distraught Noah leaves the party and tears up every single sketch he has made of Brian, as well as the one of Oscar which he gave to Jude, before deleting every picture he has taken of Jude’s sand sculptures.
One afternoon, Noah makes his way over to Guillermo Garcia’s studio, a famous sculptor whom Oscar once told Noah about. He watches Guillermo and his work from afar, and on his way back, runs into Dianna parked surprisingly close to the studio. Over the next couple of months, Dianna begins to act strangely, always absent-minded and lost in thought. She even forgets Benjamin’s birthday. Dianna and Benjamin eventually tell the twins that Benjamin is moving out for a while. The twins watch Benjamin leave and confide their fears and worries in each other; Jude also assures Noah that nothing happened between her and Brian, and they reconcile.
Brian comes back to visit over Christmas break, and Noah goes for a walk with him where they finally kiss. Brian wants to keep their relationship a secret, as he worries it will end his baseball career. He has been harassed for his sexual orientation in the past. However, Dianna walks in on the boys masturbating together one day, and a terrified Brian immediately ends things with Noah. Not wanting Dianna to tell anyone else, Noah follows her out of the house believing that she is going to meet Benjamin. Instead, he sees Dianna meeting and kissing Guillermo. Distraught and heartbroken, when Noah runs into Brian with one of the girls on the way home, he reveals Brian’s secret to her. Back home, Dianna tells Noah that she is going to marry Guillermo; as she leaves, Noah yells at her that he hates her. Dianna’s car veers off a cliff, and she dies in the resulting crash, and a guilt-ridden Noah lies to Benjamin and Jude that Dianna was on her way to reconcile with Benjamin. Noah also visits Guillermo and repeats the same lie, blaming Guillermo for Dianna’s death. Two weeks after Dianna’s death, Noah jumps off Devil’s Drop, a high cliff overlooking the beach and almost drowns. Jude pulls him out and revives him. Upset and furious with her brother for almost abandoning her, Jude does not mail Noah’s CSA application along with hers.
Two years later, Jude is a student at CSA; when Noah didn’t get an acceptance, he destroyed all his work and stopped making art completely. Jude was pressured into losing her virginity to an older boy the night Dianna died and believes that this invited bad luck and led to Dianna’s death. Following this, Jude cuts off all her hair and exclusively dresses in drab clothing, in a self-inflicted “boy boycott.” She also obsessively follows the dictates of Grandma Sweetwine’s “Bible,” a handwritten collections of beliefs and superstitions about luck. Jude is regularly visited by Grandma Sweetwine’s ghost; while Dianna does not appear to her, Jude believes that Dianna is responsible for the fact that all of Jude’s clay work at CSA ends up mysteriously shattered.
Jude’s mentor, Sandy, tells her that she was accepted at CSA because of the pictures of the sand sculptures that came in with her application. Jude is confused, as she had not sent in any pictures and didn’t even know any existed. Now, however, she is in danger of losing her spot at CSA, because of all the breakage in the kiln. Jude decides to work in stone so that Dianna cannot shatter her art; she plans on creating a sculpture that will impress Dianna and force her to forgive Jude. Sandy directs her to Guillermo but warns her that Guillermo has not mentored or taught in over two years after something tragic happened to him. On her way to meet and convince Guillermo, Jude stops by a church where she runs into Oscar. He seems strangely familiar, but she can’t quite place him. Oscar flirts with Jude and takes pictures of her before leaving. At Guillermo’s studio, Jude encounters a haggard and drunk Guillermo who asks her to go away; upon repeated knocking, Jude is surprised to see Oscar open the door, but he, too, turns her away. On her way home Jude receives a message from one of Noah’s friends that he plans to cliff-dive off Devil’s Drop. Jude hides and waits for him, planning to save him if necessary, but as has been happening recently, when Noah jumps, he miraculously slows down before hitting the water.
Noah and Benjamin find Jude looking up Guillermo and his work on the internet, and both seem shaken. Jude later finds that all her bookmarks about Guillermo have been deleted from her laptop. Jude goes to Guillermo’s studio again, watching him work through a window. Guillermo catches her watching him and apprehends her while she tries to run away. He invites Jude in, and seeing her desperation to work in stone, agrees to mentor her. Jude begins to work with Guillermo; before the sculpture of Dianna, however, she realizes that she wants to make one of her and Noah instead. During her time with Guillermo, Jude also grows closer to Oscar. She learns that Guillermo saved Oscar’s life, taking him in and helping him get clean some years ago. Oscar confesses his attraction to Jude; however, the intensity of his own feelings scares him, and he begins to retreat from Jude, going on to kiss another girl.
Jude decides to try and make things right with Noah. She Googles Brian and finds that he is now mildly famous for being a high-performing, openly-gay baseball player. Jude emails Brian a link to a message Noah consistently posts on a website called Lost Connections, asking Brian to forgive him and meet him again. Jude also emails her mentor at CSA asking for a meeting with her and Noah; she decides to give up her spot for Noah. Before she can confess the truth to Noah, however, she finds out that he is on the verge of jumping off the highest, most dangerous cliff on the beach. Jude arrives in time and manages to save Noah along with Oscar’s help. A drunk Noah explains whenever he jumps, Dianna always saves him at the end, slowing his fall. Oscar helps Jude get Noah home; he visits her in her room later that night, apologizing for his earlier behavior before kissing her. Jude finally recognizes him as the face in Noah’s painting. However, Oscar catches a glimpse of a family picture on Jude’s dresser, and leaves abruptly when he realizes that Jude is Dianna’s daughter.
When Jude shows Guillermo the sketches of Dianna she has made for the sculpture, he comes to the same realization and tells her he cannot mentor her anymore. Noah and Oscar arrive at the studio as well, and the truth about Dianna is revealed. An overwhelmed Jude leaves along with Noah. Noah apologizes to Jude for having lied to her and Benjamin, and the two grieve Dianna together. Jude also confesses to what she did about Noah’s CSA application, and Noah is elated that he was not actually rejected. Noah shows Jude a wall he has been secretly painting at an abandoned construction site; he does not care about art school anymore, having recently rediscovered the magic in art for its own sake. Noah and Jude tell Benjamin the truths about Dianna and CSA, and he forgives them both graciously. They also discover that Guillermo is the one who sent the pictures of Jude’s sand sculptures to CSA. Jude believes that they are all destined to be in each other’s lives and wants to continue working with Guillermo. Noah reaches out to Brian directly, and the two reconcile. The book ends with Benjamin realizing and accepting Noah’s sexuality when he sees the boys holding hands together.
You can also check LitCharts: https://www.litcharts.com/lit/i-ll-give-you-the-sun/summary
​
Quotes:
About the invisible museum (the invisible museum is how Noah envisions the paintings he wants to bring to life, some do and some don’t, but it describes his thought process which I find super cool):
- One of his arms is choked around my neck, the other braced across my torso like a seat belt. He’s bare-chested, straight off the beach, and the heat of him is seeping through my T-shirt. His coconut suntan lotion’s filling my nose, my whole head—the strong smell of the ocean too, like he’s carrying it on his back . . . Zephyr dragging the tide along like a blanket behind him . . . That would be good, that would be it (PORTRAIT: The Boy Who Walked Off with the Sea)—but not now, Noah, so not the time to mind-paint this cretin. I snap back, taste the salt on my lips, remind myself I’m about to die—
- Because I can see people’s souls sometimes when I draw them, I know the following: Mom has a massive sunflower for a soul so big there’s hardly any room in her for organs. Jude and me have one soul between us that we have to share: a tree with its leaves on fire. And Dad has a plate of maggots for his.
- His soul might be a sun. I’ve never met anyone who had the sun for a soul.
- “I paint in my head,” I tell him. “I was the whole time.” I’ve never told anyone I do this, not even Jude, and I have no idea why I’m telling him. I’ve never let anyone into the invisible museum before. “What were you painting?”“You.”
- In my mind, I can draw Brian with lightning.
- I watch him as he razors through the crowd, nodding his head to guys, returning the smiles of girls, like he belongs. How is it he belongs everywhere? (PORTRAIT: The Boy with All the Keys in the World with All the Locks)
- I close my eyes and drown in color, open them and drown in light because billions and billions of buckets of light are being emptied on our heads from above. This is it. This is freaking everything. This is the painting painting itself.
​
About Jude and Noah:
- I don’t know how this can be but it can : A painting is both exactly the same and entirely different every single time you look at it. That’s the way it is between Jude and me now.
- I remember how Jude gave up the sun and stars and oceans for my drawing of him. I’m going to steal it back from her. I’m going to take everything from her. If she were drowning, I’d hold her head under.
- And most important, I don’t worry when I come home one day and find a note on the kitchen table written by Jude asking Mom to come down to the beach to see a sculpture she’s building out of sand. I don’t worry that I take the note and bury it at the bottom of the garbage can. I don’t worry, not really, even though it makes my stomach hurt to do it, no not my stomach, it makes my soul hurt that I could do it, that I actually did it. I should’ve been worrying. I should’ve been worrying a lot.
- [...]and when he revived, the second I knew he was okay, I slapped him as hard as I could across the face. Because how could he have done this? How could he have chosen to leave me here all alone?
- Noah had stopped breathing. So there were these moments when I was in life without him. For the first time. Not even in the womb were we apart. Terror doesn’t come close to describing it. Fury doesn’t come close. Heartbreak, no. There is no way to describe it. He wasn’t there. He wasn’t with me anymore.
- I took from my brother the thing he wanted most in the world. What kind of person does that?
​
About Brian:
- That’s when it occurs to me that maybe the rocks are weighing him down so he doesn’t rise into the air . . .
- I try to prick the balloon that’s lifting me into the air by telling myself I shouldn’t be this excited to see a guy I only met a day ago. Even if that guy carries the galaxy around in a bag!
- I’m thinking the reason I’ve been so quiet all these years is only because Brian wasn’t around yet for me to tell everything to.
- I don’t worry that when Brian and I are alone in the woods or up on his roof or in his living room watching baseball (whatever), he puts up an electrical fence between us, and never once do I risk death by brushing against it, but when we’re in public, like at The Spot, the fence vanishes, and we become clumsy magnets, bumping and knocking into each other, grazing hands, arms, legs, shoulders, tapping the other on the back, even occasionally the leg, for no good reason except that it’s like swallowing lightning.
- I don’t worry that when I get back to my seat, it all starts again, but this time our legs find each other immediately and he grabs my hand beneath the armrest and squeezes it and we electrocute and die.
- “I love you,” I say to him, only it comes out, “Hey.”“So damn much,” he says back, only it comes out, “Dude.”
​
Grandma Sweetwine’s bible:
- “You have to see the miracles for there to be miracles, Jude.” She used to say this a lot. It’s the very first passage she wrote in the bible. I’m not a miracle-seer. The very last passage she wrote in the bible was: A broken heart is an open heart.
- “I will bathe in vinegar, down some raw eggs, and start looking for a wasp nest ASAP to put on my head.”“I do not understand this,”he says. “To reverse the leanings of the heart. Ancient family wisdom.”He laughs. “Ah. Very good. In my family, we just suffer.”
- I went to Grandma’s bible, desperate, but it didn’t matter how many rosehips I put in my tea, how much lapis lazuli I hid under my pillow, I couldn’t get rid of the rage.
​
About Oscar:
- Hot guys should be forced into footie pajamas.
- No woman can resist a man who has tidal waves and earthquakes beneath the skin.
- “When I want to ask you to abandoned buildings or kiss those lips of yours or stare into your otherworldly eyes or imagine what you look like under all those baggy drab clothes you’re always hiding in or ravish you on some grimy floor like I’m desperate to this very minute, I’ll just bugger off on my Hippity Hop. Deal?” He holds out his hand. “Friends. Just friends.” Talk about mixed signals; he’s like a roller coaster that talks.
- I’m filled with something I can only describe as recognition. Not because he looks familiar on the outside this time, but because he feels familiar on the inside.
- I blew it. I did. I should’ve kissed him. One kiss, then I could die. Well, wait, no freaking way, if I’m going to die, I want to do more than kiss. Way way more.
​
Art wisdom:
- Because that’s what all this is about. Nothing else. We wish with our hands, that’s what we do as artists.
- Is there something you need in the world that only your two hands can create?
- “It’s okay to be addicted to beauty,” Mom says, all dreamy . “Emerson said ‘Beauty is God’s handwriting.’”
- What slumbers in the heart, slumbers in the stone.
- “If only the heart listen to reason, right?” He puts an arm around me. “C’mon, what is bad for the heart is good for art. The terrible irony of our lives as artists.” Our lives as artists.
- “I don’t think you are okay,”he says. “Sometimes you work the stone, sometimes the stone works you. I think today the rock win.”
​
PREVIOUS BOOK CLUB DISCUSSION: PS I spook you by SE Harmon.

I was chilling at the beach while drawing and meeting some new people when I found this in the sand. I thought it looked like some kind of old animal vertebrae, but I also feel like it might be some sort of pod or part of a plant. I can tell it definitely came from some kind of living thing, but I definitely have no idea on what the hell it could be😅 If anyone can identify this please let me know cause i know this definitely gonna drive me insane if i don’t find an answer😂

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